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Discover the rich melodic frameworks of Hindustani classical music

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52 ragas found

Джаунпури

जौनपुरी

S R m P d m P d n S' | S' n d P d m P g R S

Тхаат: Asavari Morning Shadava-Sampoorna
Jaunpuri from Asavari thaat, similar to Asavari with different harmonic emphasis.

Джхинджхоти

झिंझोटी

S R G m P D S' | S' n D P D m G S R m G S R 'n 'D 'P 'D S

Night Shadava-Sampoorna
Jhinjhoti from Khamaj thaat, a purvanga-based raga with simple melodic form.

Кафи

काफ़ी

S R g m P D n S' | S' n D P m g R S

Тхаат: Kafi Night Sampoorna-Sampoorna
Kafi from Kafi thaat, the representative raga producing the most versatile melodies.

Кхамадж

खमाज

S G m P D N S' | S' n D P m G R S

Night Shadava-Sampoorna
Khamaj from Khamaj thaat, widely used in Bengali and Vaisnava devotional music.

Кирвани

किरवानी

S R g m P d N S' | S' N d P m g R S

Late night Sampoorna-Sampoorna
Symmetrical and soulful raga of the night. Known for its roots in the Carnatic Melakarta system, it utilises the Harmonic Minor scale (SRgmPdN). Defined by Karuna Rasa and a perfect tetrachordal balance, it is a global favorite for its deep emotional resonance and meditative purity.

Лалита

ललित

'N r G m M m G M D N S' | N r' N D M D M m G M G r S 'NS

Тхаат: Marwa Late night Shadava-Shadava
Lalita from Marwa thaat, named after the gopi who wakes Krsna at night.

Мадхуванти

मधुवंती

S g M# P N S' | S' N D P M# g R S

Тхаат: Todi Late afternoon Audava-Sampoorna
A majestic late-afternoon raga of the Todi Thaat. Featuring a dominant Pancham and Teevra Madhyama, it balances romantic Shringar Rasa with technical depth. Known globally for its similarity to the Ukrainian Dorian mode, it is the definitive melody of the "Golden Hour."

Малкаунс

मालकौंस

S g m d n S' | S' n d n d m g m g S 'n S

Тхаат: Bhairavi Late night Audava-Audava
Malkauns from Bhairavi thaat, a devotional midnight raga created by Parvati.

Манд

मांड

S G m P D N S' | S' S' N D P D P N D P G m G R S

Тхаат: Bilawal Night Shadava-Sampoorna
Mand from Bilawal thaat, a Rajasthani raga with zig-zag descent and free form.