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Discover the rich melodic frameworks of Hindustani classical music

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8 ragas found

Бахар

बहार

S R g m P D n S' | S' n D P m g R S

Тхаат: Kafi Afternoon Sampoorna-Sampoorna
Bahar from Kafi thaat, a vibrant spring-time raga celebrating natural beauty.

Бхимпаласи

भीमपलासी

'n S g m P n S' | S' n D P D m P g m g R S

Тхаат: Kafi Afternoon Audava-Sampoorna
Bhimpalasi from Kafi thaat, a mid-afternoon raga with ecstatic nature.

Чарукеси

चारुकेशी

S R G m P d n S' | S' n d P m G R S

Тхаат: Kafi Afternoon Sampoorna-Sampoorna
Charukesi, a Carnatic seven-note raga with komal dha and ni.

Гаур Саранг

गौर सारंग

S G R m G P M D P S' | S' N D P M P m G R G R m G P R S

Тхаат: Kalyan Midday Shadava-Sampoorna
Gaur Sarang from Kalyana thaat, part of the Saranga family of ragas.

Мадхуванти

मधुवंती

S g M# P N S' | S' N D P M# g R S

Тхаат: Todi Late afternoon Audava-Sampoorna
A majestic late-afternoon raga of the Todi Thaat. Featuring a dominant Pancham and Teevra Madhyama, it balances romantic Shringar Rasa with technical depth. Known globally for its similarity to the Ukrainian Dorian mode, it is the definitive melody of the "Golden Hour."