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Discover the rich melodic frameworks of Hindustani classical music

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15 ragas found

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भूप

S R G P D S' | S' D P G R S

Тхаат: Kalyan Early evening Audava-Audava

As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music. 

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भूपाली

S R G P D S' | S' D P G R S

Тхаат: Kalyan Evening Audava-Audava
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.

Бихаг

बिहाग

'N S G m P N S' | S' N (D) P M P G m G R S

Тхаат: Kalyan Evening Audava-Shadava
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.

Гаур Саранг

गौर सारंग

S G R m G P M D P S' | S' N D P M P m G R G R m G P R S

Тхаат: Kalyan Midday Shadava-Sampoorna
Gaur Sarang from Kalyana thaat, part of the Saranga family of ragas.

Хамир

हमीर

S R G m (N)D N S' | S' N D P M P D P G m R S

Тхаат: Kalyan Evening Shadava-Sampoorna
Hameer from Kalyan thaat, combining Kedar characteristics with shuddha Ga.

Хиндол

हिंडोल

S G M D N M D S' | S' D M D N D M G M G S

Тхаат: Kalyan Early evening Audava-Audava
Hindol from Kalyana thaat, a spring time janak raga with four primary notes.

Камод

कामोद

S R G M P D N S' | S' N D P M G R S

Тхаат: Kalyan Evening Sampoorna-Sampoorna
Kamod from Kalyan thaat, a romantic evening raga with devotional mood.

Кедар

केदार

S M P, M P D n D P S' | S' D n D P, M P D P m,S R S

Тхаат: Kalyan Evening Audava-Shadava
Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.

Нанд

नन्द

S G m P D N P S' | S' N D P M P G m D P (m)R S G m

Тхаат: Kalyan Evening Shadava-Sampoorna
Nand from Kalyan thaat, a joyful evening raga with unique ending on ma.