பசந்த
बसन्त
S G M d r' S' | S' N d PM G m G M G r S
Basanta from Purvi thaat, a spring time raga with uttaranga orientation.
ராகங்களை அறியுங்கள்
Discover the rich melodic frameworks of Hindustani classical music
பசந்த முகாரி
बसन्त मुखारी
S r G m P d n S' | S' n d P m G r S
Basanta Mukhari from Bhairava thaat, face of spring with lighter compositions.
பிஹாக்
बिहाग
S G m P D N S' | S' N D P m G R S
Behag from Bilawal thaat, a romantic evening raga with joyful mood.
பைரவ்
भैरव
S G m P (N) d* N S' | S' N S' (N)d* P m P G m (G)r* S'
Bhairav from Bhairava thaat, the primordial raga (adi-raga) associated with Lord Siva.
பைரவி
भैरवी
S r g m P d n Ṡ | Ṡ n d P m g r S
Raga Bhairavi is a morning scale and the "Queen of Ragas." Using all four Komal notes, this Bhairavi Thaat masterpiece expresses deep devotion. Ideal for Thumris and concert finales.
பீம்பலாசி
भीमपलासी
'n S g m P n S' | S' n D P D m P g m g R S
Bhimpalasi from Kafi thaat, a mid-afternoon raga with ecstatic nature.
பூப்
भूप
S R G P D S' | S' D P G R S
As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music.
பூபாலி
भूपाली
S R G P D S' | S' D P G R S
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.
விபாச
विभास
S r G P d S' | S' d P G r S
Bibhas (Vibhasa) from Bhairava thaat, an early morning raga with S and P stability.
பிஹாக்
बिहाग
'N S G m P N S' | S' N (D) P M P G m G R S
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.
பிலாஸ்கானி தோடி
बिलासखानी तोड़ी
S r g P d S' | S' r' n d m g r g r S
Bilaskhani Todi from Bhairavi/Todi thaat, named after Bilas Khan, son of Miyan Tansen.
பிலாவல்
बिलावल
S G R G m P D N S' | S' N D n D P m G R G m G R S
Bilawal from Bilawal thaat, the major scale raga with occasional komal ni usage.