சங்கரா
शंकरा
S G R G P N D S' | S' N D P G P G R S
Shankara from Bilawal thaat, an auspicious night raga from Carnatic system.
ராகங்களை அறியுங்கள்
Discover the rich melodic frameworks of Hindustani classical music
ஸ்ரீ
श्री
S r M# P N S' | S' N d P M# G r S
Raag Shree is an austere, "heavy" evening raga of the Poorvi Thaat. Known for its difficult r-P leap and spiritual tension, it evokes cosmic vastness through a heroic and ancient authority.
சுத்த கல்யாண்
शुद्ध कल्याण
S R G P D n S' | S' n D P G P G R S 'n 'D S
Shuddha Kalyan from Kalyan thaat, an evening raga with komal ni.
சுத்த சாரங்
शुद्ध सारंग
'N S R M P N S' | S N P M P R m R S 'N S
Shuddha Sarang from Kalyana thaat, a pentatonic Saranga raga.
ஸ்யாம் கல்யாண்
श्याम कल्याण
S R M# P N S' | S' N D P M# G m R, S
A majestic evening raga of the Kalyan Thaat. Distinguished by its dual-Madhyama structure and the characteristic "S R P" leap. It balances Yaman's dignity with a more complex, shadowed geometry. Perfect for late evening performances, it evokes a sense of stately romance and spiritual profundity.
சிந்துரா
सिंधुरा
S R g m P D S' | S' D P m g R S
Sindhura from Kafi thaat, a peaceful meditative raga.
சோஹினி
सोहिनी
S G M D N S' r' S' | S' N D N D, G M D M G M G r S
Sohini from Marwa thaat, a romantic evening raga with more stability than Marwa.
திலக் காமோத்
तिलक कामोद
'N S R m P (N)S' | P D m G R S R G 'N 'P 'P 'N S R G S
Night
Audava-Sampoorna
Tilak Kamod from Khamaj thaat, a purvanga-based night raga with unusual structure.
திலாங்
तिलंग
S G m P N S' | S' n P m G m G S
Late evening
Audava-Audava
Tilang from Khamaj thaat, a late evening pentatonic raga with stable Pa.
தோடி
तोड़ी
S r g M d N S' | S' N d PM g r g r S
Todi from Todi thaat, also known as Miyan Ki Todi, with super-flattened komal re.
வ்ருந்தாவனி சாரங்கா
वृन्दावनी सारंग
S R m P N S' | S' n P m R m RS NS
Vrindavani Saranga from Kafi thaat, a late night Saranga-class raga.
யமன்
यमन
.N R G M# P D N S' | S' N D P M# G R S
The premier evening raga of the Kalyan Thaat. A complete heptatonic scale (Sampurna) featuring the Teevra Madhyama. Known as the Lydian mode of Indian music, it evokes peace, devotion, and auspiciousness. Perfect for beginning concerts, it is the foundational melody of Hindustani classical music.