కేదార్
केदार
S M P, M P D n D P S' | S' D n D P, M P D P m,S R S
Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.
రాగాలను అన్వేషించండి
Discover the rich melodic frameworks of Hindustani classical music
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మారు బిహాగ్
मारू बिहाग
'N S G M P N S | S' N D P M G M G R S m G P M G M G R S
Maru Bihag from Bilawal thaat, an evening raga with devotional and loving mood.
మేఘ్
मेघ
S R m P n S' | S' n P m R S
An ancient, pentatonic monsoon raga of the Kafi Thaat. Defined by its thunderous majesty and deep Rishabh oscillations, it is the elemental sound of the rain. Known globally for its "Open Interval" geometry, it evokes Heroic and Devotional Rasas, making it the premier melody for the Indian monsoon.
నంద్
नन्द
S G m P D N P S' | S' N D P M P G m D P (m)R S G m
Nand from Kalyan thaat, a joyful evening raga with unique ending on ma.
నట్ భైరవ్
नट भैरव
S R G m P d N S' | S' N d P m G R S
Nat Bhairav from Bhairava thaat, a light purvanga-oriented morning raga.
పహాడీ
पहाड़ी
S R G P D S' | S' D P G R S
Pahadi from Bilawal thaat, a simple pentatonic raga evoking mountain landscapes.
సారంగ్
सारंग
S R M P N S' | S' N P M R S
Sarang, the parent raga of the Saranga family for midday performance.
శంకరా
शंकरा
S G R G P N D S' | S' N D P G P G R S
Shankara from Bilawal thaat, an auspicious night raga from Carnatic system.
శుద్ధ కల్యాణ్
शुद्ध कल्याण
S R G P D n S' | S' n D P G P G R S 'n 'D S
Shuddha Kalyan from Kalyan thaat, an evening raga with komal ni.
శ్యామ కల్యాణ్
श्याम कल्याण
S R M# P N S' | S' N D P M# G m R, S
A majestic evening raga of the Kalyan Thaat. Distinguished by its dual-Madhyama structure and the characteristic "S R P" leap. It balances Yaman's dignity with a more complex, shadowed geometry. Perfect for late evening performances, it evokes a sense of stately romance and spiritual profundity.
సింధురా
सिंधुरा
S R g m P D S' | S' D P m g R S
Sindhura from Kafi thaat, a peaceful meditative raga.
యమన్
यमन
.N R G M# P D N S' | S' N D P M# G R S
The premier evening raga of the Kalyan Thaat. A complete heptatonic scale (Sampurna) featuring the Teevra Madhyama. Known as the Lydian mode of Indian music, it evokes peace, devotion, and auspiciousness. Perfect for beginning concerts, it is the foundational melody of Hindustani classical music.