بہاگ
बिहाग
'N S G m P N S' | S' N (D) P M P G m G R S
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.
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بلاول
बिलावल
S G R G m P D N S' | S' N D n D P m G R G m G R S
Bilawal from Bilawal thaat, the major scale raga with occasional komal ni usage.
چاروکیشی
चारुकेशी
S R G m P d n S' | S' n d P m G R S
Charukesi, a Carnatic seven-note raga with komal dha and ni.
چھایا نٹ
छायानट
S R R G m P P D P P S' | S' N D P m G m R S
Chhayanat from Bilawal thaat, similar to Hamir and Kedar with ma-Re-Sa format.
دیشکار
देशकार
S R G P D S' | S' D P R G R S'D S
Deshkar from Bilawal thaat, uttaranga-oriented pentatonic raga similar to Bhupali.
دُرگا
दुर्गा
S R m P D S' | S' D m P D m R 'D S
Durga from Bilawal thaat, a pentatonic raga with Re-Dha harmonic pair.
گور سارنگ
गौर सारंग
S G R m G P M D P S' | S' N D P M P m G R G R m G P R S
Gaur Sarang from Kalyana thaat, part of the Saranga family of ragas.
حمیر
हमीर
S R G m (N)D N S' | S' N D P M P D P G m R S
Hameer from Kalyan thaat, combining Kedar characteristics with shuddha Ga.
ہنس دھونی
हंसध्वनी
S R G P N S' | S' N P G R S
A brilliant, auspicious pentatonic raga of the Bilawal Thaat. Originating from the Carnatic tradition, it utilizes SRGPN to create an atmosphere of joy and devotion. Known globally for its radiant "Angel Scale" geometry, it is the premier melody for invoking positivity and spiritual clarity.
ہندول
हिंडोल
S G M D N M D S' | S' D M D N D M G M G S
Hindol from Kalyana thaat, a spring time janak raga with four primary notes.
جوگ
जोग
S G m P n S' | S' n P m g S
A mesmerising midnight raga of the Kafi Thaat. Distinguished by its "Dual-Third" (Shuddha and Komal Ga) and the omission of Re and Dha. Its hypnotic, Blues-like geometry makes it a global favourite for soul-stirring improvisation and deep meditation.
کامود
कामोद
S R G M P D N S' | S' N D P M G R S
Kamod from Kalyan thaat, a romantic evening raga with devotional mood.