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Discover the rich melodic frameworks of Hindustani classical music

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32 ragas found

کافی

काफ़ी

S R g m P D n S' | S' n D P m g R S

ٹھاٹ: Kafi Night Sampoorna-Sampoorna
Kafi from Kafi thaat, the representative raga producing the most versatile melodies.

خماج

खमाज

S G m P D N S' | S' n D P m G R S

Night Shadava-Sampoorna
Khamaj from Khamaj thaat, widely used in Bengali and Vaisnava devotional music.

کروانی

किरवानी

S R g m P d N S' | S' N d P m g R S

Late night Sampoorna-Sampoorna
Symmetrical and soulful raga of the night. Known for its roots in the Carnatic Melakarta system, it utilises the Harmonic Minor scale (SRgmPdN). Defined by Karuna Rasa and a perfect tetrachordal balance, it is a global favorite for its deep emotional resonance and meditative purity.

للتا

ललित

'N r G m M m G M D N S' | N r' N D M D M m G M G r S 'NS

ٹھاٹ: Marwa Late night Shadava-Shadava
Lalita from Marwa thaat, named after the gopi who wakes Krsna at night.

مدھوونتی

मधुवंती

S g M# P N S' | S' N D P M# g R S

ٹھاٹ: Todi Late afternoon Audava-Sampoorna
A majestic late-afternoon raga of the Todi Thaat. Featuring a dominant Pancham and Teevra Madhyama, it balances romantic Shringar Rasa with technical depth. Known globally for its similarity to the Ukrainian Dorian mode, it is the definitive melody of the "Golden Hour."

مانڈ

मांड

S G m P D N S' | S' S' N D P D P N D P G m G R S

ٹھاٹ: Bilawal Night Shadava-Sampoorna
Mand from Bilawal thaat, a Rajasthani raga with zig-zag descent and free form.

مشر شیورنجنی

मिश्र शिवरंजनी

S R g P D S' | S' D P g R S (Mishra: +G, +n, +m)

ٹھاٹ: Kafi Late night Audava-Audava
A haunting midnight raga of the Kafi Thaat. Distinguished by its pentatonic core (S R g P D) and the artistic addition of chromatic "Mishra" swaras. It is the premier melody for Karuna Rasa (Pathos), known globally for its resemblance to the soulful intervals of Blues and Jazz ballads.

پیلو

पीलू

S R g m P D n S' | S' n D P m g R S

ٹھاٹ: Kafi Night Sampoorna-Sampoorna
Pilu from Kafi thaat, a versatile romantic raga used in thumri and light classical.