ہندول
हिंडोल
S G M D N M D S' | S' D M D N D M G M G S
Hindol from Kalyana thaat, a spring time janak raga with four primary notes.
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جوگ
जोग
S G m P n S' | S' n P m g S
A mesmerising midnight raga of the Kafi Thaat. Distinguished by its "Dual-Third" (Shuddha and Komal Ga) and the omission of Re and Dha. Its hypnotic, Blues-like geometry makes it a global favourite for soul-stirring improvisation and deep meditation.
کلاوتی
कलावती
S G P D n DS' | S' n D P G P G S
Evening
Audava-Audava
Kalavati from Khamaj thaat, a pentatonic evening raga.
کامود
कामोद
S R G M P D N S' | S' N D P M G R S
Kamod from Kalyan thaat, a romantic evening raga with devotional mood.
کیدار
केदार
S M P, M P D n D P S' | S' D n D P, M P D P m,S R S
Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.
مارو بہاگ
मारू बिहाग
'N S G M P N S | S' N D P M G M G R S m G P M G M G R S
Maru Bihag from Bilawal thaat, an evening raga with devotional and loving mood.
مارُوا
मारवा
S r G M# D N S' | S' N D M# G r S
A profound twilight raga of the Marwa Thaat. Defined by its unsettling Vadi of Komal Re (r) and the omission of Pancham (Pa), it captures the spirit of Tyaga (renunciation). Performable at sunset, it is known globally for its "Centrifugal" geometry that pushes away from the tonic, creating a restless, mystical atmosphere.
ملتانی
मुल्तानी
'N S g M P N S' | S' N d P M P d M g M g r S
Multani from Todi thaat, an evening raga with extremely flattened komal re.
نند
नन्द
S G m P D N P S' | S' N D P M P G m D P (m)R S G m
Nand from Kalyan thaat, a joyful evening raga with unique ending on ma.
پراج
पराज
S r G M d N S' | S' N d P M G r S
Paraj from Purvi thaat, an evening raga with komal re, komal dha, and tivra Ma.
پوریا
पूरिया
'N r G M D N D N r' S' | N r' N D N M D G M G,M G r S
Puriya from Marwa thaat, ancestor of Puriya Dhanasri with playful mood.
پوریا دھناشری
पूरिया धनाश्री
'N r G M d N S' r' S' | N r' N d P M G r G r S 'N
Puriya Dhanashri from Purvi thaat, a harmonically stable evening twilight raga.