بھیم پلاسی
भीमपलासी
'n S g m P n S' | S' n D P D m P g m g R S
Bhimpalasi from Kafi thaat, a mid-afternoon raga with ecstatic nature.
راگ دریافت کریں
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وبھاس
विभास
S r G P d S' | S' d P G r S
Bibhas (Vibhasa) from Bhairava thaat, an early morning raga with S and P stability.
بلاس خانی توڑی
बिलासखानी तोड़ी
S r g P d S' | S' r' n d m g r g r S
Bilaskhani Todi from Bhairavi/Todi thaat, named after Bilas Khan, son of Miyan Tansen.
بلاول
बिलावल
S G R G m P D N S' | S' N D n D P m G R G m G R S
Bilawal from Bilawal thaat, the major scale raga with occasional komal ni usage.
چاروکیشی
चारुकेशी
S R G m P d n S' | S' n d P m G R S
Charukesi, a Carnatic seven-note raga with komal dha and ni.
دیشکار
देशकार
S R G P D S' | S' D P R G R S'D S
Deshkar from Bilawal thaat, uttaranga-oriented pentatonic raga similar to Bhupali.
گور سارنگ
गौर सारंग
S G R m G P M D P S' | S' N D P M P m G R G R m G P R S
Gaur Sarang from Kalyana thaat, part of the Saranga family of ragas.
گجری توڑی
गुजरी तोड़ी
S r g M d N S' | S' N d M g r g r S
Gujari Todi from Todi thaat, lacking Pa with harmonic strength on komal dha.
جون پوری
जौनपुरी
S R m P d m P d n S' | S' n d P d m P g R S
Jaunpuri from Asavari thaat, similar to Asavari with different harmonic emphasis.
مدھوونتی
मधुवंती
S g M# P N S' | S' N D P M# g R S
A majestic late-afternoon raga of the Todi Thaat. Featuring a dominant Pancham and Teevra Madhyama, it balances romantic Shringar Rasa with technical depth. Known globally for its similarity to the Ukrainian Dorian mode, it is the definitive melody of the "Golden Hour."
میگھ
मेघ
S R m P n S' | S' n P m R S
An ancient, pentatonic monsoon raga of the Kafi Thaat. Defined by its thunderous majesty and deep Rishabh oscillations, it is the elemental sound of the rain. Known globally for its "Open Interval" geometry, it evokes Heroic and Devotional Rasas, making it the premier melody for the Indian monsoon.
نٹ بھیرو
नट भैरव
S R G m P d N S' | S' N d P m G R S
Nat Bhairav from Bhairava thaat, a light purvanga-oriented morning raga.