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Discover the rich melodic frameworks of Hindustani classical music

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54 ragas found

شیام کلیان

श्याम कल्याण

S R M# P N S' | S' N D P M# G m R, S

ٹھاٹ: Kalyan Late evening Audava-Sampoorna
A majestic evening raga of the Kalyan Thaat. Distinguished by its dual-Madhyama structure and the characteristic "S R P" leap. It balances Yaman's dignity with a more complex, shadowed geometry. Perfect for late evening performances, it evokes a sense of stately romance and spiritual profundity.

سوہنی

सोहिनी

S G M D N S' r' S' | S' N D N D, G M D M G M G r S

ٹھاٹ: Marwa Late evening Shadava-Shadava
Sohini from Marwa thaat, a romantic evening raga with more stability than Marwa.

تلنگ

तिलंग

S G m P N S' | S' n P m G m G S

Late evening Audava-Audava
Tilang from Khamaj thaat, a late evening pentatonic raga with stable Pa.

ٹوڑی

तोड़ी

S r g M d N S' | S' N d PM g r g r S

ٹھاٹ: Todi Morning Audava-Audava
Todi from Todi thaat, also known as Miyan Ki Todi, with super-flattened komal re.

یمن

यमन

.N R G M# P D N S' | S' N D P M# G R S

ٹھاٹ: Kalyan Early evening Sampoorna-Sampoorna
The premier evening raga of the Kalyan Thaat. A complete heptatonic scale (Sampurna) featuring the Teevra Madhyama. Known as the Lydian mode of Indian music, it evokes peace, devotion, and auspiciousness. Perfect for beginning concerts, it is the foundational melody of Hindustani classical music.