Western instrument · Electric lute

Mandolinमैंडोलिन

The Carnatic mandolin is the five-string electric mandolin that U. Srinivas played, with single strings in place of the Western double courses.

Family
Plucked lute
Strings
5 single (Srinivas-style)
Body
Solid-body or semi-hollow electric
Adapted in
South India, 20th century

Buy from us

Choose your mandolin

Ask about a custom order
  • Student

    Student mandolin

    From £350

    Adapted Western electric mandolins suit learners.

  • Carnatic setup

    Carnatic setup mandolin

    £700 to £1,200

    These are built or modified for Carnatic technique, with the right scale and pickups.

  • Bespoke

    Bespoke mandolin

    £1,200 to £2,500

    Bespoke instruments come from specialist South Indian makers in Vijayawada.

What to look for

When buying a mandolin for Carnatic music, start with the string layout. Srinivas-style instruments use five single strings, which differs from standard eight-string Western mandolins and from four-string single-course electrics. Standard mandolin scale length is about 330 mm, and Gibson-style American mandolins are about 350 mm.

Instruments built or modified for Carnatic technique have the right scale and pickups. A scale of 330 to 360 mm suits string-bending gamaka, and two pickups, at the neck and the bridge, give a warmer tone for alap and a brighter one for fast kalpana swaras. Bending wears frets fast, so check them for grooves; we dress or replace worn frets. Ask us for a quote, or for a mandolin made to order.

After you buy

Delivered worldwide
We pack every instrument for international shipping; ask us about cases and insurance.
Service and repair
We service and repair any mandolin, wherever you bought it, worldwide: ask us.
Strings, parts and cases
Ask us for strings, spare parts and cases, and about a size for a younger learner.
Help with your instrument
Ask us through the chat on any page, or by email, for help with your instrument. [email protected]
Gifts, schools and travel
Ask us about gift vouchers, class sets for schools, and flight cases and travel help.
Read the mandolin care guide
  • Replace dull or kinked strings. On a double-strung instrument, change both strings of a course together, to the same gauge: mismatched gauges upset tuning and pick response. Tune each pair to an exact unison, and ask us which strings suit it.
  • Bending wears frets fast, and worn frets throw bent notes out of tune. Check for grooves every few months and send worn frets to us for dressing or replacement.
  • In the electronics, clean the pots every six months with contact cleaner, check the output jack for loose joints, which cut the signal, and store the instrument unplugged.
  • Tune every string on its own with a chromatic tuner; a slightly sour pair gives a chorus effect that muddies fast passages.
  • The neck shifts with humidity: check relief every few months with a straight edge, and adjust the truss rod if the action rises beyond comfortable bending.

کلا سدھا اکیڈمی

Learn the mandolin with us

All courses

You can learn the Carnatic mandolin with KalaSudha online and in workshops, and every beginner starts at Foundation level. Foundation begins with your instrument's string layout and a stiff pick, striking each course cleanly before any melody. We teach children as well as adults: ask us about a starting age and about a mandolin size for a younger learner.

If you are returning after a long break, our courses run in levels, so you start again where you left off. Your teacher reviews where you stand first.

Your route, stage by stage

  1. Pick hold, string layout and course striking

    This is Foundation, the stage where beginners start in KalaSudha's courses. Learn your instrument's layout first: a Srinivas-style mandolin carries five single strings, a Western one eight in four courses tuned G-D-A-E, so agree a tuning with your teacher. Hold a stiff 1.0–1.5 mm pick between thumb and index, strike each course cleanly and practise even alternating strokes before any melody.

  2. Scale patterns and fret navigation

    Learn the primary Carnatic scale patterns (melakarta scales) as fingering positions on the mandolin fingerboard. The short scale length concentrates positions across a compact range; develop the ability to move between positions fluently before adding bending technique.

  3. String-bending for gamaka

    Develop the sideways bend that gives kampita (oscillation) and jaru (glide) on the frets, learning gamaka by ear from Srinivas's recordings. Control each bend precisely: Carnatic gamaka needs half-tone and quarter-tone bends, far finer than blues or rock bends.

  4. Tremolo and sustained melodic phrases

    Develop tremolo picking, rapid alternating strokes on one string or course, to sustain a pitch through a long phrase, since a single stroke decays fast. Tremolo is the main tool for phrase length and dynamics in alapana; ask your teacher how much your style needs.

  5. Raga alapana, kritis and kalpana swaras

    Learn to elaborate a raga through alapana (free-time improvisation) using bending, tremolo and gamaka across the instrument's range. Study fixed Carnatic compositions (kritis, varnams) in structured tala cycles, then develop kalpana swaras (improvised solfa passages) and pallavi to reach full Carnatic performance practice.

The instrument

About the mandolin

What makes a mandolin

The Carnatic mandolin

The Carnatic mandolin is the electric instrument that U. Srinivas (1969–2014) took onto the Carnatic stage from childhood, and ours, set up for Carnatic technique, suits the student and the stage player. Srinivas made a Western instrument a vehicle for South Indian raga. Before him the mandolin had been alien to South Indian classical music, and his students now teach and play it across South India and abroad. Srinivas played a custom instrument with five single strings and a contact microphone, tuned C-G-C-G-C; a Western mandolin carries eight strings in four courses, tuned G-D-A-E.

How it plays raga

The player strikes with a plectrum and shapes gamaka, the ornaments of Carnatic melody, by bending each fretted note sideways and stretching the string towards the next note rather than lifting the finger. Fast alternating strokes, tremolo, sustain long phrases, and pick angle and weight shape tone and dynamics. The electric form's sustain, touch sensitivity and compact scale suit this technique better than the acoustic mandolin.

Choosing one

Check the string layout first: five single strings, eight in four courses, or four single strings on some electrics. Makers in Vijayawada and Chennai build instruments adapted for Carnatic playing, with scale length, gauges and pickups developed with Srinivas over decades. Start on one of our Carnatic mandolin study paths, or compare the veena.

ہسٹری

The mandolin grew from the European lute family; the Neapolitan form is tuned like a violin. It reached South India through colonial trade and missions in the late 19th and early 20th centuries and lived in folk and popular music in Andhra Pradesh and Tamil Nadu.

U. Srinivas (Uppalapu Srinivas), born in Palakollu, Andhra Pradesh, in 1969, began on his father's acoustic mandolin. He played on All India Radio by about age 11 and moved to the electric instrument for sustain and touch. Within a few years he played solo on the Carnatic circuit beside senior musicians. He recorded Dream (1995) with Michael Brook, worked with L. Subramaniam and joined John McLaughlin and Zakir Hussain in Remember Shakti from 1997. His more than 137 albums, across Carnatic recitals, jugalbandis and crossover, carried the mandolin to jazz and world audiences new to Carnatic music. He received the Padma Shri in 1998 and later the Sangeet Natak Akademi Award.

Since his death in 2014, his students teach and play it in South India and abroad, and Vijayawada makers build to his specifications. In one generation a Western instrument became part of Carnatic music, through his lineage and on the concert circuit.

How a mandolin is made

A Carnatic mandolin is a solid-body or semi-hollow electric mandolin built on the Western bowl-back or flat-back model and adapted for Indian use. Most have a mahogany or alder body with a flat top and an upper cutaway for the high frets. The neck, set at a shallow angle, carries a rosewood or maple fingerboard with standard metal frets, at a scale of 330–360 mm that suits string-bending gamaka.

Two pickups, single-coil or humbucker, sit at the neck and bridge, each with its own volume control and a shared tone control: the neck is warmer for alap, the bridge brighter for fast kalpana swaras. Srinivas's own instrument used a contact microphone. A fixed, compensated saddle of bone or synthetic material sets intonation. Western courses use plain steel above and wound strings below, gauges chosen to balance tension for bending and drone; Srinivas-style instruments carry five single strings.

Players use a small, stiff pick, 1.0–1.5 mm, of tortoiseshell substitute or nylon: thicker for clean tremolo and even courses, thinner for speed at some cost to clarity. They play through a clean amplifier with moderate reverb and sometimes light compression, the instrument across the thigh or upright at about 45 degrees.

At a glance

Tradition
Carnatic classical music; established by U. Srinivas from the late 1970s onwards
String system
Western: 8 strings in 4 double courses, tuned G-D-A-E in fifths; Srinivas-style: 5 single strings
Body type
Solid-body or semi-hollow electric with an upper cutaway; a contact microphone on Srinivas's own
Gamaka technique
String-bending on the frets for kampita and jaru; tremolo picking for sustained phrases
Scale length
330–360 mm; shorter than a guitar, longer than the acoustic bowl-back mandolin
Key maker region
Vijayawada (Andhra Pradesh) and Chennai, built to Carnatic specifications; Srinivas's own were custom-made
Full specifications

Physical dimensions

Total instrument length
55–65 cm
Scale length
330–360 mm
Body width (max)
25–30 cm
Body depth
3–5 cm (solid-body) or 5–8 cm (semi-hollow)
Weight
1.5–2.5 kg

Body & construction

Body material
Mahogany or alder (solid-body); laminate maple (semi-hollow)
Neck material
Maple or mahogany with rosewood or maple fingerboard
Frets
Standard Western mandolin frets; 20–24 frets on neck and body
Pickups
Two single-coil or humbucker pickups, neck and bridge; a contact microphone on Srinivas's instrument
Controls
Volume (per pickup) and tone; 3-way pickup selector

String system

Total strings
8 (in 4 double courses); 5 single on Srinivas-style instruments
Tuning
G–D–A–E (low to high, in fifths, courses doubled); Srinivas: C-G-C-G-C
String material
Plain steel (upper courses); wound steel (lower courses)
Typical gauges
0.009–0.034 (adjusted for Carnatic bending technique)
Range
Approximately 3 octaves across 4 courses; 5-string electrics add a low C

Playing equipment

Plectrum
Stiff pick, 1.0–1.5 mm; tortoiseshell substitute or nylon
Amplification
Clean-channel electric guitar amplifier; moderate reverb, optional compression
Playing position
Seated; instrument across thigh or held upright at 45-degree angle
Primary gamaka
String-bending (kampita), tremolo picking, jaru (slide bend)
Pickup selection
Neck pickup for alapana; bridge pickup for faster kalpana swara passages

Acoustic characteristics

Tonal character
Bright and articulate; neck pickup adds warmth for sustained melodic passages
Sustain
Moderate, with a short natural decay extended by tremolo picking and compression
Dynamic range
Wide; controlled by pick attack, volume pot, and amplifier settings
Optimal use
Carnatic alapana, kritis, kalpana swaras; solo and ensemble with mridangam and violin
Projection
High (amplified); suited to large sabha halls and outdoor concert settings

Explore the music

Hear the mandolin

Hear KalaSudha's recordings and concert videos.

Players

Ask us to book a mandolin player for a concert, event or recording.

Book a mandolin player

Questions

Mandolin: common questions

Buying, learning, care and the instrument itself.

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