Explorer les ragas

Discover the rich melodic frameworks of Hindustani classical music

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66 ragas found

Jhinjhoti

झिंझोटी

S R G m P D S' | S' n D P D m G S R m G S R 'n 'D 'P 'D S

Night Shadava-Sampoorna
Jhinjhoti from Khamaj thaat, a purvanga-based raga with simple melodic form.

Jog

जोग

S G m P n S' | S' n P m g S

Thaat : Kafi Late evening Audava-Audava
A mesmerising midnight raga of the Kafi Thaat. Distinguished by its "Dual-Third" (Shuddha and Komal Ga) and the omission of Re and Dha. Its hypnotic, Blues-like geometry makes it a global favourite for soul-stirring improvisation and deep meditation.

Kafi

काफ़ी

S R g m P D n S' | S' n D P m g R S

Thaat : Kafi Night Sampoorna-Sampoorna
Kafi from Kafi thaat, the representative raga producing the most versatile melodies.

Kalavati

कलावती

S G P D n DS' | S' n D P G P G S

Evening Audava-Audava
Kalavati from Khamaj thaat, a pentatonic evening raga.

Kamod

कामोद

S R G M P D N S' | S' N D P M G R S

Thaat : Kalyan Evening Sampoorna-Sampoorna
Kamod from Kalyan thaat, a romantic evening raga with devotional mood.

Kedar

केदार

S M P, M P D n D P S' | S' D n D P, M P D P m,S R S

Thaat : Kalyan Evening Audava-Shadava
Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.

Khamaj

खमाज

S G m P D N S' | S' n D P m G R S

Night Shadava-Sampoorna
Khamaj from Khamaj thaat, widely used in Bengali and Vaisnava devotional music.

Kirwani

किरवानी

S R g m P d N S' | S' N d P m g R S

Late night Sampoorna-Sampoorna
Symmetrical and soulful raga of the night. Known for its roots in the Carnatic Melakarta system, it utilises the Harmonic Minor scale (SRgmPdN). Defined by Karuna Rasa and a perfect tetrachordal balance, it is a global favorite for its deep emotional resonance and meditative purity.

Lalita

ललित

'N r G m M m G M D N S' | N r' N D M D M m G M G r S 'NS

Thaat : Marwa Late night Shadava-Shadava
Lalita from Marwa thaat, named after the gopi who wakes Krsna at night.

Madhumad Sarang

मधुमाद सारंग

'n S R m P n S' | S' n P m R m R 'n S

Late night Audava-Audava
Madhumad Sarang from Khamaj thaat, a lighter version of Megha centered on ma and Pa.

Madhuvanti

मधुवंती

S g M# P N S' | S' N D P M# g R S

Thaat : Todi Late afternoon Audava-Sampoorna
A majestic late-afternoon raga of the Todi Thaat. Featuring a dominant Pancham and Teevra Madhyama, it balances romantic Shringar Rasa with technical depth. Known globally for its similarity to the Ukrainian Dorian mode, it is the definitive melody of the "Golden Hour."

Malkauns

मालकौंस

S g m d n S' | S' n d n d m g m g S 'n S

Thaat : Bhairavi Late night Audava-Audava
Malkauns from Bhairavi thaat, a devotional midnight raga created by Parvati.