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Discover the rich melodic frameworks of Hindustani classical music

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31 ragas found

Ahir Bhairava

अहीर भैरव

S r G m P G m D n S' | S' n D P m G m r S 'D 'n r S

Thaat: Bhairav Morning Sampoorna-Sampoorna
Ahir Bhairava from Bhairava thaat, combining Bhairavanga and Ahiranga phrases.

Alhaiya Bilawal

अलैया बिलावल

S R G m P D N S' | S' N D P m G R S

Thaat: Bilawal Morning Sampoorna-Sampoorna
Alhaiya Bilawal from Bilawal thaat, a serene morning raga with devotional character.

Bageshri

बागेश्री

.n S g M D n S' | S' n D M P D m G R S

Thaat: Kafi Early evening Audava-Sampoorna
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.

Bairagi

बैरागी

S r m P n S' | S' n P m P m r S 'n S

Thaat: Bhairav Morning Audava-Audava
Bairagi from Bhairava thaat, a devotional pentatonic raga with Lord Siva hymns.

Basanta Mukhari

बसन्त मुखारी

S r G m P d n S' | S' n d P m G r S

Thaat: Bhairav Morning Sampoorna-Sampoorna
Basanta Mukhari from Bhairava thaat, face of spring with lighter compositions.

Behag

बिहाग

S G m P D N S' | S' N D P m G R S

Thaat: Bilawal Evening Shadava-Sampoorna
Behag from Bilawal thaat, a romantic evening raga with joyful mood.

Bhairav

भैरव

S G m P (N) d* N S' | S' N S' (N)d* P m P G m (G)r* S'

Thaat: Bhairav Morning Shadava-Sampoorna
Bhairav from Bhairava thaat, the primordial raga (adi-raga) associated with Lord Siva.

Bhoop

भूप

S R G P D S' | S' D P G R S

Thaat: Kalyan Early evening Audava-Audava

As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music. 

Bhupali

भूपाली

S R G P D S' | S' D P G R S

Thaat: Kalyan Evening Audava-Audava
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.

Bibhas

विभास

S r G P d S' | S' d P G r S

Thaat: Bhairav Morning Audava-Audava
Bibhas (Vibhasa) from Bhairava thaat, an early morning raga with S and P stability.

Bihag

बिहाग

'N S G m P N S' | S' N (D) P M P G m G R S

Thaat: Kalyan Evening Audava-Shadava
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.

Bilawal

बिलावल

S G R G m P D N S' | S' N D n D P m G R G m G R S

Thaat: Bilawal Morning Sampoorna-Sampoorna
Bilawal from Bilawal thaat, the major scale raga with occasional komal ni usage.