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Discover the rich melodic frameworks of Hindustani classical music

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31 ragas found

バゲーシュリー

बागेश्री

.n S g M D n S' | S' n D M P D m G R S

タート: Kafi Early evening Audava-Sampoorna
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.

バハール

बहार

S R g m P D n S' | S' n D P m g R S

タート: Kafi Afternoon Sampoorna-Sampoorna
Bahar from Kafi thaat, a vibrant spring-time raga celebrating natural beauty.

ビハーグ

बिहाग

S G m P D N S' | S' N D P m G R S

タート: Bilawal Evening Shadava-Sampoorna
Behag from Bilawal thaat, a romantic evening raga with joyful mood.

ブープ

भूप

S R G P D S' | S' D P G R S

タート: Kalyan Early evening Audava-Audava

As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music. 

ブーパリー

भूपाली

S R G P D S' | S' D P G R S

タート: Kalyan Evening Audava-Audava
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.

ビハーグ

बिहाग

'N S G m P N S' | S' N (D) P M P G m G R S

タート: Kalyan Evening Audava-Shadava
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.

ビラーワル

बिलावल

S G R G m P D N S' | S' N D n D P m G R G m G R S

タート: Bilawal Morning Sampoorna-Sampoorna
Bilawal from Bilawal thaat, the major scale raga with occasional komal ni usage.

チャーヤーナト

छायानट

S R R G m P P D P P S' | S' N D P m G m R S

タート: Bilawal Evening Shadava-Sampoorna
Chhayanat from Bilawal thaat, similar to Hamir and Kedar with ma-Re-Sa format.