Традиция

Sattriya

सत्त्रीया

The classical dance of Assam's Vaishnava monasteries, the sattras

Assam Sattra Tradition

Sattriya is the classical dance of Assam, shaped in Vaishnava monasteries (sattras) from Sankaradeva's devotional plays and recognised by the Sangeet Natak Akademi in 2000.

Обзор

Sattriya, also called Sattriya Nritya, is the classical dance of Assam. It grew up in the Vaishnava monasteries called sattras and is one of eight on the Sangeet Natak Akademi's classical list.

The dance took shape in the Ankiya Nat, one-act devotional plays of song, dance and dialogue by Srimanta Sankaradeva (1449 to 1568 in most sources), who began the neo-Vaishnava movement in Assam. The sattras grew from the movement's devotee assemblies after Sankaradeva's death, under his successors, and their monks (bhakats) danced every role, women's parts included. Sattriya first reached a modern stage in 1922, and men and women from outside the sattras now perform it. The Akademi listed it on 15 November 2000. Indira P.P. Bora and Jatin Goswami received the Akademi's award for Sattriya in 1996 and 2004.

Dancers move to Borgeet, devotional songs by Sankaradeva and Madhavadeva set to ragas (melodic frameworks), with the khol, a two-headed barrel drum played with the fingers, and hand cymbals. Training starts with mati akhara, ground exercises that build stances, turns, gaits and hand gestures; ora is the basic stance. Sattriya has two styles: the vigorous masculine paurashik bhangi and the delicate feminine stri bhangi. It shares Vaishnava devotion with neighbouring Manipuri, though its drum is the khol where Manipuri uses the pung.

Входит в раздел Dance: Indian classical dance is the umbrella name for India's regional classical forms, rooted in the Natyashastra. The list most cited, credited to the Sangeet Natak Akademi, has eight.

History & Evolution

Srimanta Sankaradeva (1449-1568) founded the neo-Vaishnavite movement in Assam, establishing sattras (monasteries) and creating the Ankiya Nat dance-dramas. Monks maintained Sattriya as devotional practice for five centuries.

The Sangeet Natak Akademi recognised Sattriya as the eighth classical dance form in 2000. Contemporary artists have brought the form to concert stages while sattras continue traditional practice. Global recognition has followed national acknowledgment.

15th - 16th Century

Sankaradeva's Foundation

Srimanta Sankaradeva founds neo-Vaishnavism in Assam. Creates Ankiya Nats and establishes the sattra system. Madhavadeva continues his work.

17th - 19th Century

Monastic Preservation

Sattras throughout Assam maintain dance-drama traditions. Monks transmit technique through generations. The form remains within monastic context.

20th Century

Documentation and Awareness

Scholars begin documenting Sattriya. Awareness grows beyond Assam. Practitioners advocate for classical recognition while maintaining traditional practice.

2000 - Present

Classical Recognition

Sangeet Natak Akademi recognises Sattriya as the eighth classical form (2000). Concert presentations develop. National and international recognition follows.

Technical Aspects

Movement Vocabulary

Chaali (basic dance units) comprise the technical vocabulary. Mati Akhara emphasises footwork while Ora and Par describe spatial movements.

Dramatic Format

The Ankiya Nat (one-act play) presents Krishna narratives through dance, music, and dialogue. Borgeet (devotional songs) by Sankaradeva and Madhavadeva provide musical foundation.

Dual Character

The form exhibits both tandava (masculine) and lasya (feminine) qualities. Originally performed by male monks only; contemporary practice includes female performers.

Путь к мастерству

Пройдите этот структурированный путь, чтобы освоить это направление

  1. Devotional Context

    Study the religious context: Sankaradeva's neo-Vaishnavism, the sattra system, and the role of dance in devotional practice. Understand the spiritual foundation that shapes Sattriya.

  2. Technical Foundation

    Master the Chaali (basic dance units) and Mati Akhara (footwork patterns). Learn the distinctive hand gestures. Develop the foundational movement vocabulary.

  3. Musical Integration

    Study Borgeet (devotional songs) by Sankaradeva and Madhavadeva. Learn the relationship between music and movement. Understand the khol and taal accompaniment.

  4. Repertoire and Dramaturgy

    Learn episodes from Ankiya Nat dance-dramas. Study character portrayal and dramatic interpretation. Develop both tandava and lasya expression.

  5. Performance Contexts

    Master both traditional sattra presentation and concert adaptation. Develop appropriate presentation for different contexts. Understand the form's continuing evolution.

Часто задаваемые вопросы

Where can I learn Sattriya dance online with a live teacher?

You can learn Sattriya dance online with KalaSudha, from a vetted teacher in live one-to-one lessons. The classical dance of Assam, it grew up in the sattras, Vaishnava monasteries whose monks danced every role.

Training starts with mati akhara, ground exercises that build stances, turns, gaits and hand gestures; ora is the basic stance. Later you dance to Borgeet, devotional songs set to ragas, or melodic frameworks, with the khol drum. Beginners start at Foundation in our online academy. Between the workshops and summer camps we hold where enough learners sign up, lessons continue online.

Have more questions? Contact our support team and we'll be happy to help!

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