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Discover the rich melodic frameworks of Hindustani classical music

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26 ragas found

Багешри

बागेश्री

.n S g M D n S' | S' n D M P D m G R S

Тхаат: Kafi Early evening Audava-Sampoorna
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.

Бахар

बहार

S R g m P D n S' | S' n D P m g R S

Тхаат: Kafi Afternoon Sampoorna-Sampoorna
Bahar from Kafi thaat, a vibrant spring-time raga celebrating natural beauty.

Бехаг

बिहाग

S G m P D N S' | S' N D P m G R S

Тхаат: Bilawal Evening Shadava-Sampoorna
Behag from Bilawal thaat, a romantic evening raga with joyful mood.

Бхимпаласи

भीमपलासी

'n S g m P n S' | S' n D P D m P g m g R S

Тхаат: Kafi Afternoon Audava-Sampoorna
Bhimpalasi from Kafi thaat, a mid-afternoon raga with ecstatic nature.

Бхуп

भूप

S R G P D S' | S' D P G R S

Тхаат: Kalyan Early evening Audava-Audava

As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music. 

Бхупали

भूपाली

S R G P D S' | S' D P G R S

Тхаат: Kalyan Evening Audava-Audava
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.

Бихаг

बिहाग

'N S G m P N S' | S' N (D) P M P G m G R S

Тхаат: Kalyan Evening Audava-Shadava
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.

Чарукеси

चारुकेशी

S R G m P d n S' | S' n d P m G R S

Тхаат: Kafi Afternoon Sampoorna-Sampoorna
Charukesi, a Carnatic seven-note raga with komal dha and ni.

Чхаянат

छायानट

S R R G m P P D P P S' | S' N D P m G m R S

Тхаат: Bilawal Evening Shadava-Sampoorna
Chhayanat from Bilawal thaat, similar to Hamir and Kedar with ma-Re-Sa format.

Дурга

दुर्गा

S R m P D S' | S' D m P D m R 'D S

Тхаат: Bilawal Evening Audava-Audava
Durga from Bilawal thaat, a pentatonic raga with Re-Dha harmonic pair.

Гаур Саранг

गौर सारंग

S G R m G P M D P S' | S' N D P M P m G R G R m G P R S

Тхаат: Kalyan Midday Shadava-Sampoorna
Gaur Sarang from Kalyana thaat, part of the Saranga family of ragas.

Хамир

हमीर

S R G m (N)D N S' | S' N D P M P D P G m R S

Тхаат: Kalyan Evening Shadava-Sampoorna
Hameer from Kalyan thaat, combining Kedar characteristics with shuddha Ga.