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Discover the rich melodic frameworks of Hindustani classical music

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30 ragas found

Абхоги

अभोगी

S R g m D S' | S' D m g R S

Тхаат: Kafi Night Audava-Audava
Abhogi from Kafi thaat, a Carnatic-derived pentatonic raga close to Bagesri.

Багешри

बागेश्री

.n S g M D n S' | S' n D M P D m G R S

Тхаат: Kafi Early evening Audava-Sampoorna
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.

Байраги

बैरागी

S r m P n S' | S' n P m P m r S 'n S

Тхаат: Bhairav Morning Audava-Audava
Bairagi from Bhairava thaat, a devotional pentatonic raga with Lord Siva hymns.

Бехаг

बिहाग

S G m P D N S' | S' N D P m G R S

Тхаат: Bilawal Evening Shadava-Sampoorna
Behag from Bilawal thaat, a romantic evening raga with joyful mood.

Бхайрав

भैरव

S G m P (N) d* N S' | S' N S' (N)d* P m P G m (G)r* S'

Тхаат: Bhairav Morning Shadava-Sampoorna
Bhairav from Bhairava thaat, the primordial raga (adi-raga) associated with Lord Siva.

Вибхаса

विभास

S r G P d S' | S' d P G r S

Тхаат: Bhairav Morning Audava-Audava
Bibhas (Vibhasa) from Bhairava thaat, an early morning raga with S and P stability.

Билавал

बिलावल

S G R G m P D N S' | S' N D n D P m G R G m G R S

Тхаат: Bilawal Morning Sampoorna-Sampoorna
Bilawal from Bilawal thaat, the major scale raga with occasional komal ni usage.

Чандракаунс

चन्द्रकौंस

'N S g m d N S | S' N d m g m g S 'N S

Тхаат: Kafi Night Audava-Audava
Chandrakauns, a Carnatic-derived pentatonic raga similar to Malkauns with suddha ni.

Чхаянат

छायानट

S R R G m P P D P P S' | S' N D P m G m R S

Тхаат: Bilawal Evening Shadava-Sampoorna
Chhayanat from Bilawal thaat, similar to Hamir and Kedar with ma-Re-Sa format.