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Discover the rich melodic frameworks of Hindustani classical music

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86 ragas found

Шанкара

शंकरा

S G R G P N D S' | S' N D P G P G R S

Тхаат: Bilawal Evening Shadava-Shadava
Shankara from Bilawal thaat, an auspicious night raga from Carnatic system.

Шри

श्री

S r M# P N S' | S' N d P M# G r S

Тхаат: Purvi Early evening Audava-Sampoorna
Raag Shree is an austere, "heavy" evening raga of the Poorvi Thaat. Known for its difficult r-P leap and spiritual tension, it evokes cosmic vastness through a heroic and ancient authority.

Шьям Кальян

श्याम कल्याण

S R M# P N S' | S' N D P M# G m R, S

Тхаат: Kalyan Late evening Audava-Sampoorna
A majestic evening raga of the Kalyan Thaat. Distinguished by its dual-Madhyama structure and the characteristic "S R P" leap. It balances Yaman's dignity with a more complex, shadowed geometry. Perfect for late evening performances, it evokes a sense of stately romance and spiritual profundity.

Сохини

सोहिनी

S G M D N S' r' S' | S' N D N D, G M D M G M G r S

Тхаат: Marwa Late evening Shadava-Shadava
Sohini from Marwa thaat, a romantic evening raga with more stability than Marwa.

Тилак Камод

तिलक कामोद

'N S R m P (N)S' | P D m G R S R G 'N 'P 'P 'N S R G S

Night Audava-Sampoorna
Tilak Kamod from Khamaj thaat, a purvanga-based night raga with unusual structure.

Тиланг

तिलंग

S G m P N S' | S' n P m G m G S

Late evening Audava-Audava
Tilang from Khamaj thaat, a late evening pentatonic raga with stable Pa.

Тоди

तोड़ी

S r g M d N S' | S' N d PM g r g r S

Тхаат: Todi Morning Audava-Audava
Todi from Todi thaat, also known as Miyan Ki Todi, with super-flattened komal re.

Яман

यमन

.N R G M# P D N S' | S' N D P M# G R S

Тхаат: Kalyan Early evening Sampoorna-Sampoorna
The premier evening raga of the Kalyan Thaat. A complete heptatonic scale (Sampurna) featuring the Teevra Madhyama. Known as the Lydian mode of Indian music, it evokes peace, devotion, and auspiciousness. Perfect for beginning concerts, it is the foundational melody of Hindustani classical music.