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Discover the rich melodic frameworks of Hindustani classical music

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23 ragas found

Багешри

बागेश्री

.n S g M D n S' | S' n D M P D m G R S

Тхаат: Kafi Early evening Audava-Sampoorna
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.

Бахар

बहार

S R g m P D n S' | S' n D P m g R S

Тхаат: Kafi Afternoon Sampoorna-Sampoorna
Bahar from Kafi thaat, a vibrant spring-time raga celebrating natural beauty.

Байраги

बैरागी

S r m P n S' | S' n P m P m r S 'n S

Тхаат: Bhairav Morning Audava-Audava
Bairagi from Bhairava thaat, a devotional pentatonic raga with Lord Siva hymns.

Бехаг

बिहाग

S G m P D N S' | S' N D P m G R S

Тхаат: Bilawal Evening Shadava-Sampoorna
Behag from Bilawal thaat, a romantic evening raga with joyful mood.

Бхайрав

भैरव

S G m P (N) d* N S' | S' N S' (N)d* P m P G m (G)r* S'

Тхаат: Bhairav Morning Shadava-Sampoorna
Bhairav from Bhairava thaat, the primordial raga (adi-raga) associated with Lord Siva.

Бхимпаласи

भीमपलासी

'n S g m P n S' | S' n D P D m P g m g R S

Тхаат: Kafi Afternoon Audava-Sampoorna
Bhimpalasi from Kafi thaat, a mid-afternoon raga with ecstatic nature.

Вибхаса

विभास

S r G P d S' | S' d P G r S

Тхаат: Bhairav Morning Audava-Audava
Bibhas (Vibhasa) from Bhairava thaat, an early morning raga with S and P stability.

Билавал

बिलावल

S G R G m P D N S' | S' N D n D P m G R G m G R S

Тхаат: Bilawal Morning Sampoorna-Sampoorna
Bilawal from Bilawal thaat, the major scale raga with occasional komal ni usage.

Чарукеси

चारुकेशी

S R G m P d n S' | S' n d P m G R S

Тхаат: Kafi Afternoon Sampoorna-Sampoorna
Charukesi, a Carnatic seven-note raga with komal dha and ni.