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Discover the rich melodic frameworks of Hindustani classical music

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21 ragas found

阿希尔巴伊拉瓦

अहीर भैरव

S r G m P G m D n S' | S' n D P m G m r S 'D 'n r S

塔特: Bhairav Morning Sampoorna-Sampoorna
Ahir Bhairava from Bhairava thaat, combining Bhairavanga and Ahiranga phrases.

巴格斯里

बागेश्री

.n S g M D n S' | S' n D M P D m G R S

塔特: Kafi Early evening Audava-Sampoorna
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.

拜拉吉

बैरागी

S r m P n S' | S' n P m P m r S 'n S

塔特: Bhairav Morning Audava-Audava
Bairagi from Bhairava thaat, a devotional pentatonic raga with Lord Siva hymns.

巴桑塔穆卡里

बसन्त मुखारी

S r G m P d n S' | S' n d P m G r S

塔特: Bhairav Morning Sampoorna-Sampoorna
Basanta Mukhari from Bhairava thaat, face of spring with lighter compositions.

巴伊拉瓦

भैरव

S G m P (N) d* N S' | S' N S' (N)d* P m P G m (G)r* S'

塔特: Bhairav Morning Shadava-Sampoorna
Bhairav from Bhairava thaat, the primordial raga (adi-raga) associated with Lord Siva.

布普

भूप

S R G P D S' | S' D P G R S

塔特: Kalyan Early evening Audava-Audava

As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music. 

布帕利

भूपाली

S R G P D S' | S' D P G R S

塔特: Kalyan Evening Audava-Audava
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.

比巴斯

विभास

S r G P d S' | S' d P G r S

塔特: Bhairav Morning Audava-Audava
Bibhas (Vibhasa) from Bhairava thaat, an early morning raga with S and P stability.

比哈格

बिहाग

'N S G m P N S' | S' N (D) P M P G m G R S

塔特: Kalyan Evening Audava-Shadava
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.

哈米尔

हमीर

S R G m (N)D N S' | S' N D P M P D P G m R S

塔特: Kalyan Evening Shadava-Sampoorna
Hameer from Kalyan thaat, combining Kedar characteristics with shuddha Ga.

欣多尔

हिंडोल

S G M D N M D S' | S' D M D N D M G M G S

塔特: Kalyan Early evening Audava-Audava
Hindol from Kalyana thaat, a spring time janak raga with four primary notes.

乔格

जोग

S G m P n S' | S' n P m g S

塔特: Kafi Late evening Audava-Audava
A mesmerising midnight raga of the Kafi Thaat. Distinguished by its "Dual-Third" (Shuddha and Komal Ga) and the omission of Re and Dha. Its hypnotic, Blues-like geometry makes it a global favourite for soul-stirring improvisation and deep meditation.