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Discover the rich melodic frameworks of Hindustani classical music

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58 ragas found

阿博吉

अभोगी

S R g m D S' | S' D m g R S

塔特: Kafi Night Audava-Audava
Abhogi from Kafi thaat, a Carnatic-derived pentatonic raga close to Bagesri.

阿达纳

आदाना

S R m P n m P S' | S' d n P m P n g m R S'

塔特: Asavari Late night Audava-Sampoorna
Adana from Asavari thaat, similar to Darbari without andolans on ga and dha.

巴格斯里

बागेश्री

.n S g M D n S' | S' n D M P D m G R S

塔特: Kafi Early evening Audava-Sampoorna
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.

巴桑塔

बसन्त

S G M d r' S' | S' N d PM G m G M G r S

塔特: Purvi Early evening Audava-Sampoorna
Basanta from Purvi thaat, a spring time raga with uttaranga orientation.

比哈格

बिहाग

S G m P D N S' | S' N D P m G R S

塔特: Bilawal Evening Shadava-Sampoorna
Behag from Bilawal thaat, a romantic evening raga with joyful mood.

布普

भूप

S R G P D S' | S' D P G R S

塔特: Kalyan Early evening Audava-Audava

As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music. 

布帕利

भूपाली

S R G P D S' | S' D P G R S

塔特: Kalyan Evening Audava-Audava
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.

比哈格

बिहाग

'N S G m P N S' | S' N (D) P M P G m G R S

塔特: Kalyan Evening Audava-Shadava
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.

钱德拉考恩斯

चन्द्रकौंस

'N S g m d N S | S' N d m g m g S 'N S

塔特: Kafi Night Audava-Audava
Chandrakauns, a Carnatic-derived pentatonic raga similar to Malkauns with suddha ni.

查亚纳特

छायानट

S R R G m P P D P P S' | S' N D P m G m R S

塔特: Bilawal Evening Shadava-Sampoorna
Chhayanat from Bilawal thaat, similar to Hamir and Kedar with ma-Re-Sa format.

达尔巴里卡纳达

दरबारी कानड़ा

S R g* m P d* n S' | S' d* n P – m P n g* m R S

塔特: Asavari Late night Sampoorna-Sampoorna
Darbari Kanada from Asavari thaat, created by Miyan Tansen for Akbar's court.

德什

देश

S R m P N S' | S' n D P m G R , G .N S

塔特: Khamaja Late evening Audava-Sampoorna

Raag Desh is a cultural icon of the Indian sub-continent. Belonging to the Khamaj Thaat, it is a "Chanchal" (playful) and "Abhisarika" raga that captures the essence of the Indian landscape.