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Discover the rich melodic frameworks of Hindustani classical music

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21 ragas found

凯达尔

केदार

S M P, M P D n D P S' | S' D n D P, M P D P m,S R S

塔特: Kalyan Evening Audava-Shadava
Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.

南德

नन्द

S G m P D N P S' | S' N D P M P G m D P (m)R S G m

塔特: Kalyan Evening Shadava-Sampoorna
Nand from Kalyan thaat, a joyful evening raga with unique ending on ma.

纳特巴伊拉夫

नट भैरव

S R G m P d N S' | S' N d P m G R S

塔特: Bhairav Morning Sampoorna-Sampoorna
Nat Bhairav from Bhairava thaat, a light purvanga-oriented morning raga.

萨朗

सारंग

S R M P N S' | S' N P M R S

塔特: Kalyan Midday Audava-Audava
Sarang, the parent raga of the Saranga family for midday performance.

舒达卡利亚纳

शुद्ध कल्याण

S R G P D n S' | S' n D P G P G R S 'n 'D S

塔特: Kalyan Evening Shadava-Shadava
Shuddha Kalyan from Kalyan thaat, an evening raga with komal ni.

舒达萨朗

शुद्ध सारंग

'N S R M P N S' | S N P M P R m R S 'N S

塔特: Kalyan Late night Audava-Audava
Shuddha Sarang from Kalyana thaat, a pentatonic Saranga raga.

夏姆卡利亚纳

श्याम कल्याण

S R M# P N S' | S' N D P M# G m R, S

塔特: Kalyan Late evening Audava-Sampoorna
A majestic evening raga of the Kalyan Thaat. Distinguished by its dual-Madhyama structure and the characteristic "S R P" leap. It balances Yaman's dignity with a more complex, shadowed geometry. Perfect for late evening performances, it evokes a sense of stately romance and spiritual profundity.

亚曼

यमन

.N R G M# P D N S' | S' N D P M# G R S

塔特: Kalyan Early evening Sampoorna-Sampoorna
The premier evening raga of the Kalyan Thaat. A complete heptatonic scale (Sampurna) featuring the Teevra Madhyama. Known as the Lydian mode of Indian music, it evokes peace, devotion, and auspiciousness. Perfect for beginning concerts, it is the foundational melody of Hindustani classical music.

亚曼卡利亚纳

यमन कल्याण

'N R G M D N S' | S' N D P M G m G R S

塔特: Kalyan Evening Shadava-Sampoorna
Yaman Kalyan from Kalyan thaat, a lighter version of Yaman with additional suddha ma.