探索拉格

Discover the rich melodic frameworks of Hindustani classical music

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62 ragas found

普里亚达纳什里

पूरिया धनाश्री

'N r G M d N S' r' S' | N r' N d P M G r G r S 'N

塔特: Purvi Evening Shadava-Sampoorna
Puriya Dhanashri from Purvi thaat, a harmonically stable evening twilight raga.

普里亚卡利亚纳

पूरिया कल्याण

S r G M P M D P D N S' | N r' N D M D P M G r S

塔特: Marwa Evening Sampoorna-Sampoorna
Puriya Kalyana from Marwa thaat, combining Puriya and Kalyana with uttaranga emphasis.

普尔维

पूर्वी

N r G M d N S' | S' r' N d P M G m G M G r S'

塔特: Purvi Evening Shadava-Sampoorna
Purvi from Purvi thaat, the representative raga with rare shuddha ma usage.

萨朗

सारंग

S R M P N S' | S' N P M R S

塔特: Kalyan Midday Audava-Audava
Sarang, the parent raga of the Saranga family for midday performance.

尚卡拉

शंकरा

S G R G P N D S' | S' N D P G P G R S

塔特: Bilawal Evening Shadava-Shadava
Shankara from Bilawal thaat, an auspicious night raga from Carnatic system.

什里

श्री

S r M# P N S' | S' N d P M# G r S

塔特: Purvi Early evening Audava-Sampoorna
Raag Shree is an austere, "heavy" evening raga of the Poorvi Thaat. Known for its difficult r-P leap and spiritual tension, it evokes cosmic vastness through a heroic and ancient authority.

舒达卡利亚纳

शुद्ध कल्याण

S R G P D n S' | S' n D P G P G R S 'n 'D S

塔特: Kalyan Evening Shadava-Shadava
Shuddha Kalyan from Kalyan thaat, an evening raga with komal ni.

夏姆卡利亚纳

श्याम कल्याण

S R M# P N S' | S' N D P M# G m R, S

塔特: Kalyan Late evening Audava-Sampoorna
A majestic evening raga of the Kalyan Thaat. Distinguished by its dual-Madhyama structure and the characteristic "S R P" leap. It balances Yaman's dignity with a more complex, shadowed geometry. Perfect for late evening performances, it evokes a sense of stately romance and spiritual profundity.

辛杜拉

सिंधुरा

S R g m P D S' | S' D P m g R S

塔特: Kafi Afternoon Shadava-Shadava
Sindhura from Kafi thaat, a peaceful meditative raga.

索希尼

सोहिनी

S G M D N S' r' S' | S' N D N D, G M D M G M G r S

塔特: Marwa Late evening Shadava-Shadava
Sohini from Marwa thaat, a romantic evening raga with more stability than Marwa.

提朗

तिलंग

S G m P N S' | S' n P m G m G S

Late evening Audava-Audava
Tilang from Khamaj thaat, a late evening pentatonic raga with stable Pa.

托迪

तोड़ी

S r g M d N S' | S' N d PM g r g r S

塔特: Todi Morning Audava-Audava
Todi from Todi thaat, also known as Miyan Ki Todi, with super-flattened komal re.