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Discover the rich melodic frameworks of Hindustani classical music

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38 ragas found

阿博吉

अभोगी

S R g m D S' | S' D m g R S

塔特: Kafi Night Audava-Audava
Abhogi from Kafi thaat, a Carnatic-derived pentatonic raga close to Bagesri.

阿希尔巴伊拉瓦

अहीर भैरव

S r G m P G m D n S' | S' n D P m G m r S 'D 'n r S

塔特: Bhairav Morning Sampoorna-Sampoorna
Ahir Bhairava from Bhairava thaat, combining Bhairavanga and Ahiranga phrases.

巴格斯里

बागेश्री

.n S g M D n S' | S' n D M P D m G R S

塔特: Kafi Early evening Audava-Sampoorna
A mesmerising late-night raga of the Kafi Thaat. Defined by its Vadi of Madhyama (Ma) and its focus on Shringar and Karuna Rasa, it captures the essence of romantic longing. Known globally for its similarity to the Dorian Mode, Bageshri is the definitive melody of "Viraha" or yearning.

巴哈尔

बहार

S R g m P D n S' | S' n D P m g R S

塔特: Kafi Afternoon Sampoorna-Sampoorna
Bahar from Kafi thaat, a vibrant spring-time raga celebrating natural beauty.

拜拉吉

बैरागी

S r m P n S' | S' n P m P m r S 'n S

塔特: Bhairav Morning Audava-Audava
Bairagi from Bhairava thaat, a devotional pentatonic raga with Lord Siva hymns.

巴桑塔穆卡里

बसन्त मुखारी

S r G m P d n S' | S' n d P m G r S

塔特: Bhairav Morning Sampoorna-Sampoorna
Basanta Mukhari from Bhairava thaat, face of spring with lighter compositions.

巴伊拉瓦

भैरव

S G m P (N) d* N S' | S' N S' (N)d* P m P G m (G)r* S'

塔特: Bhairav Morning Shadava-Sampoorna
Bhairav from Bhairava thaat, the primordial raga (adi-raga) associated with Lord Siva.

比姆帕拉西

भीमपलासी

'n S g m P n S' | S' n D P D m P g m g R S

塔特: Kafi Afternoon Audava-Sampoorna
Bhimpalasi from Kafi thaat, a mid-afternoon raga with ecstatic nature.

布普

भूप

S R G P D S' | S' D P G R S

塔特: Kalyan Early evening Audava-Audava

As the sun sets and the bustle of the day retreats into the shadows, a singular, majestic sound begins to rise. This is Raag Bhoop (or Bhoopali), a raga that represents the very definition of poise and architectural balance in Indian Classical music. 

布帕利

भूपाली

S R G P D S' | S' D P G R S

塔特: Kalyan Evening Audava-Audava
Bhupali from Kalyana thaat, an evening raga with pentatonic structure and purvanga orientation.

比巴斯

विभास

S r G P d S' | S' d P G r S

塔特: Bhairav Morning Audava-Audava
Bibhas (Vibhasa) from Bhairava thaat, an early morning raga with S and P stability.

比哈格

बिहाग

'N S G m P N S' | S' N (D) P M P G m G R S

塔特: Kalyan Evening Audava-Shadava
Bihag from Kalyan thaat, an evening raga emphasizing Ga and Ni harmony.