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Discover the rich melodic frameworks of Hindustani classical music

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42 ragas found

Durga

दुर्गा

S R m P D S' | S' D m P D m R 'D S

Thaat: Bilawal Evening Audava-Audava
Durga from Bilawal thaat, a pentatonic raga with Re-Dha harmonic pair.

Gaur Sarang

गौर सारंग

S G R m G P M D P S' | S' N D P M P m G R G R m G P R S

Thaat: Kalyan Midday Shadava-Sampoorna
Gaur Sarang from Kalyana thaat, part of the Saranga family of ragas.

Gorakh Kalyan

गोरख कल्याण

S R m D n D D S' | S' n D P D n D m R S 'n 'D S

Evening Audava-Shadava
Gorakh Kalyan from Khamaj thaat, combining elements of Durga and Ragesri.

Hameer

हमीर

S R G m (N)D N S' | S' N D P M P D P G m R S

Thaat: Kalyan Evening Shadava-Sampoorna
Hameer from Kalyan thaat, combining Kedar characteristics with shuddha Ga.

Hansdhwani

हंसध्वनी

S R G P N S' | S' N P G R S

Thaat: Bilawal Late evening Audava-Audava
A brilliant, auspicious pentatonic raga of the Bilawal Thaat. Originating from the Carnatic tradition, it utilizes SRGPN to create an atmosphere of joy and devotion. Known globally for its radiant "Angel Scale" geometry, it is the premier melody for invoking positivity and spiritual clarity.

Hindol

हिंडोल

S G M D N M D S' | S' D M D N D M G M G S

Thaat: Kalyan Early evening Audava-Audava
Hindol from Kalyana thaat, a spring time janak raga with four primary notes.

Jog

जोग

S G m P n S' | S' n P m g S

Thaat: Kafi Late evening Audava-Audava
A mesmerising midnight raga of the Kafi Thaat. Distinguished by its "Dual-Third" (Shuddha and Komal Ga) and the omission of Re and Dha. Its hypnotic, Blues-like geometry makes it a global favourite for soul-stirring improvisation and deep meditation.

Kalavati

कलावती

S G P D n DS' | S' n D P G P G S

Evening Audava-Audava
Kalavati from Khamaj thaat, a pentatonic evening raga.

Kamod

कामोद

S R G M P D N S' | S' N D P M G R S

Thaat: Kalyan Evening Sampoorna-Sampoorna
Kamod from Kalyan thaat, a romantic evening raga with devotional mood.

Kedar

केदार

S M P, M P D n D P S' | S' D n D P, M P D P m,S R S

Thaat: Kalyan Evening Audava-Shadava
Kedar from Kalyan thaat, eliminating Ga and using both forms of Ma.

Madhuvanti

मधुवंती

S g M# P N S' | S' N D P M# g R S

Thaat: Todi Late afternoon Audava-Sampoorna
A majestic late-afternoon raga of the Todi Thaat. Featuring a dominant Pancham and Teevra Madhyama, it balances romantic Shringar Rasa with technical depth. Known globally for its similarity to the Ukrainian Dorian mode, it is the definitive melody of the "Golden Hour."

Maru Bihag

मारू बिहाग

'N S G M P N S | S' N D P M G M G R S m G P M G M G R S

Thaat: Bilawal Evening Audava-Sampoorna
Maru Bihag from Bilawal thaat, an evening raga with devotional and loving mood.