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Discover the rich melodic frameworks of Hindustani classical music

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52 ragas found

Gujari Todi

गुजरी तोड़ी

S r g M d N S' | S' N d M g r g r S

Thaat: Todi Morning Shadava-Shadava
Gujari Todi from Todi thaat, lacking Pa with harmonic strength on komal dha.

Jaijaivanti

जयजयवंती

S R G m P m G m P N S' | S' n D P m G R g R S

Night Shadava-Sampoorna
Jaijaivanti from Khamaj thaat, a famous raga with Kafi and Khamaja shades.

Jaunpuri

जौनपुरी

S R m P d m P d n S' | S' n d P d m P g R S

Thaat: Asavari Morning Shadava-Sampoorna
Jaunpuri from Asavari thaat, similar to Asavari with different harmonic emphasis.

Jhinjhoti

झिंझोटी

S R G m P D S' | S' n D P D m G S R m G S R 'n 'D 'P 'D S

Night Shadava-Sampoorna
Jhinjhoti from Khamaj thaat, a purvanga-based raga with simple melodic form.

Kafi

काफ़ी

S R g m P D n S' | S' n D P m g R S

Thaat: Kafi Night Sampoorna-Sampoorna
Kafi from Kafi thaat, the representative raga producing the most versatile melodies.

Khamaj

खमाज

S G m P D N S' | S' n D P m G R S

Night Shadava-Sampoorna
Khamaj from Khamaj thaat, widely used in Bengali and Vaisnava devotional music.

Kirwani

किरवानी

S R g m P d N S' | S' N d P m g R S

Late night Sampoorna-Sampoorna
Symmetrical and soulful raga of the night. Known for its roots in the Carnatic Melakarta system, it utilises the Harmonic Minor scale (SRgmPdN). Defined by Karuna Rasa and a perfect tetrachordal balance, it is a global favorite for its deep emotional resonance and meditative purity.

Lalita

ललित

'N r G m M m G M D N S' | N r' N D M D M m G M G r S 'NS

Thaat: Marwa Late night Shadava-Shadava
Lalita from Marwa thaat, named after the gopi who wakes Krsna at night.

Madhumad Sarang

मधुमाद सारंग

'n S R m P n S' | S' n P m R m R 'n S

Late night Audava-Audava
Madhumad Sarang from Khamaj thaat, a lighter version of Megha centered on ma and Pa.

Madhuvanti

मधुवंती

S g M# P N S' | S' N D P M# g R S

Thaat: Todi Late afternoon Audava-Sampoorna
A majestic late-afternoon raga of the Todi Thaat. Featuring a dominant Pancham and Teevra Madhyama, it balances romantic Shringar Rasa with technical depth. Known globally for its similarity to the Ukrainian Dorian mode, it is the definitive melody of the "Golden Hour."

Malkauns

मालकौंस

S g m d n S' | S' n d n d m g m g S 'n S

Thaat: Bhairavi Late night Audava-Audava
Malkauns from Bhairavi thaat, a devotional midnight raga created by Parvati.

Mand

मांड

S G m P D N S' | S' S' N D P D P N D P G m G R S

Thaat: Bilawal Night Shadava-Sampoorna
Mand from Bilawal thaat, a Rajasthani raga with zig-zag descent and free form.