Video
4K

Raag Bhairav | Rekesh Chauhan & Shahbaz Hussain | Live | The Duke’s Hall

KalaSudha Music 3 months ago
5:10

About This Video

Rekesh Chauhan (piano) and Ustad Shahbaz Hussain (tabla) performed together at the London Ragas Fusion concert held at the Duke's Hall, Royal Academy of Music, London, on 15 November 2025. This was a two-artist set within a larger evening of Indian classical and fusion music, with Chauhan and Hussain taking the raga as the shared frame for their exchange.

Raag Bhairav belongs to the Bhairava thaat and is sung in the early morning hours. Its vadi is komal Rishabh and its samvadi is komal Dhaivat, the two flattened notes that give the raga its characteristic gravity and inward quality. Considered the adi-raga, the primordial raga, Bhairav carries a devotional weight that sets it apart from more expansive morning ragas. Its phrases do not move in straight ascending or descending lines but wind through the scale in vakra patterns, resisting any reduction to a simple modal scale.

On piano, Chauhan works within the tonal constraints of a fixed-pitch instrument, using touch and voicing to suggest the microtonal inflections Bhairav demands. Hussain's tabla provides both metric anchor and melodic response, his left hand's bayan tones shaping the bass register of the raga's mood. The performance opens with space and settles into a pulse that grows more insistent through the latter sections, the two instruments carrying the raga's devotional gravity through a Western concert hall.

Credits

Piano Rekesh Chauhan
Tabla Shahbaz Hussain
Cinematography Sri Chowdary & Ibrahim Salah
Film Editing Mukul Kumar

Ragas

Bhairav

भैरव

Morning

Bhairav is the representative raga of the Bhairava thaat. It is believed to be the first raga created after forming all of the seven notes. Hence, this raga is also known as adi-raga or the primordial raga. This raga is also very dear to Lord Siva.With so much Vedic history backing this raga, it has become a very difficult raga to sing. It is a morning raga and singing this must represent a devotional atmosphere with some element of pathos included. Many people incorrectly relate the scale of this raga to Egyptian or Mid-Eastern melodies. Those melodies lack many of the important vakra, or zig-zag features, of the raga.

View Details

Video Info

Duration
5:10
Published
Category
Quality
4K
Resolution
3840x2160