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Raag Bhairavi | Trinity Trio | Live at Kala Festival 2025, Cambridge

KalaSudha Music 4 months ago
10:24

About This Video

Pandit Debasis Chakroborty (Indian Slide Guitar), Deepak Shah (piano), and Ustad Akram Khan (tabla) performed together as the Trinity Trio at Eternal Echoes, held at Lee Seng Tee Hall, Cambridge, on 21 September 2025 as part of Kala Festival 2025.

Raag Bhairavi belongs to the Bhairavi thaat and carries all four komal swaras (Rishabh, Gandhar, Dhaivat, and Nishad), with Madhyam as the melodic anchor. Its characteristic meend glissandos, particularly between Gandhar and Rishabh and between Dhaivat and Pancham, give the raga its quality of sustained, inward feeling. Though classified as an early morning raga, Bhairavi is the traditional raga to close a concert, regardless of the hour.

Chakroborty shapes the raga's melodic lines through the glissando technique native to the slide guitar, where each phrase can sustain and bend in ways that mirror a vocalist's approach. Shah's piano adds harmonic weight at the Madhyam, holding the raga in its Hindustani frame. Akram Khan, drawing on the Ajrada Gharana's precise stroke vocabulary, holds the rhythmic frame and gives the melodic exchange room to move. All three musicians listen closely throughout, and the set closes with the settled finality Bhairavi brings to any concert.

Credits

Indian Slide Guitar Debasis Chakroborty
Piano Deepak Shah
Tabla Akram Khan
Cinematography Sri Chowdary & Ibrahim Salah
Film Editing Mukul Kumar

Ragas

Bhairavi

भैरवी

Early morning

There’s something special about Raga Bhairavi. Often called the Queen of Ragas, it holds a place in Hindustani Classical Music that feels timeless and unique. What’s appealing about this raga is how it weaves together all four Komal Swaras, Rishabh, Gandhar, Dhaivat, and Nishad, creating a sound of melancholic and peacefulness. Although it is technically a morning raga, Bhairavi is traditionally played at the end of any concert, irrespective of the hour, as a gentle, graceful way to say goodbye.What fascinates someone about Bhairavi is how it uses all seven notes, ascending and descending, with Madhyam and Shadaj at its heart. It’s a raga that can move you in many ways, sometimes bringing peace, sometimes devotion, and sometimes a touch of romance. Each time we listen, we can find a new emotion ensconced within its notes.These days, you’ll often hear Mishra Bhairavi, where a few Shuddha notes are woven in to add more colour. Its influence is everywhere, in soulful Thumris, heartfelt Bhajans, or unforgettable Bollywood melodies we grew up with. It’s no wonder Bhairavi is one of the most loved and instantly recognisable ragas across the Indian subcontinent.

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10:24
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4K
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