Kirwani

किरवानी

Swara Notation

S R g M P d N S' | S' N d P M g R S

Thaat: Kirwani Late night Sampoorna-Sampoorna
Carnatic origin
Night raga
Vadi: Pa (P)
Samvadi: Sa (S)
Raag Kirwani: a Hindustani raga outside the ten thaats, performed late at night, with komal Ga and komal Dha and shuddha Re: the harmonic minor. Vadi Pa, samvadi Sa.

Quick Facts

Thaat (Scale)
Kirwani
Time of Day
Late night
Jati (Notes)
Sampoorna-sampoorna
Vadi (King Note)
Pa (P)
Samvadi (Queen Note)
Sa (S)
Mood/Rasa
Playful

Origins & Context

Raag Kirwani is a Hindustani raga outside the ten thaats, performed late at night, that uses komal Ga and komal Dha with shuddha Re, Ma, Pa and Ni. Komal means lowered and shuddha means natural, so Re stays natural in Kirwani. A thaat is a parent scale. It is also written Raag Kirvani or Keerwani.

In the notation here, lowercase marks a komal note, a dot the lower octave and an apostrophe the upper. The aroha, or ascent, is S R g M P d N S', and the avaroha, or descent, is S' N d P M g R S. The vadi, the most prominent note, is Pa, and the samvadi, its partner, is Sa. With Sa on C, its notes are C D E flat F G A flat B: the Western harmonic minor, as George Howlett notes.

Kirwani came into Hindustani music from Carnatic music. There Kiravani, the 21st melakarta, uses the same seven notes. Peerzada Salman reported in Dawn in 2014 that Slawek, a student of Ravi Shankar, credited his teacher with making the raga popular.

KalaSudha regards Kirwani as a raga of pure emotion, carried by its minor intervals more than by complex movement. KalaSudha releases Kirwani recordings, such as a solo studio piece in Kirwani. Its academy teaches ragas online and in local workshops.

Technical Details

Melodic structure and movement patterns

Aroha (Ascent)

S R g M P d N S'

Avroh (Descent)

S' N d P M g R S

Pakad (Catch Phrase)

P d S', S' N S' R' g' R' S' N d P, d P M P, P M g R, g M, g R S .N .d .N R S

Tanpura Tuning

P - S - S - .S

Additional Notes

George Howlett gives night. The second prahar of the night, 9pm to midnight, is also given.

Phraseologies

Key for these phrases: lowercase letters are komal notes, a dot puts a note in the lower octave and an apostrophe in the upper.

The catch phrase opens in the upper octave, P d S', then circles upper Sa through S' N S' R' g' R' S' before it falls to Pa. In the middle octave, d P M P and P M g R step down by turns. The close g R S .N .d .N R S dips to lower Dha and Ni before it settles.

Common Phrases

g R S .N .d .N R S

Classifiers

Swara geometries, relationships, and classifications

Swara Geometries

Core Form:
S R g M P d N: the Western harmonic minor.
Reverse:
Reversing the step order (2 1 2 2 1 3 1 semitones) gives S r G M P D n.
Negative:
Shadow scale: r, G, M#, D, n, the five notes Kirwani leaves out.
Murchanas:
Taking Ma as Sa gives the notes S R g M# P D n.
Symmetries:
None, in George Howlett's reading. S R g M rises by 2, 1 and 2 semitones, and P d N S' by 1, 3 and 1.

Structure

Aroha Jati Sampurna
Avroh Jati Sampurna

Around the World

Global connections and equivalent scales

Berklee PULSE gives the C harmonic minor scale as C D Eb F G Ab B, note for note Kirwani with Sa on C. Between komal Dha and shuddha Ni the scale leaves a gap of three semitones.

Western

Harmonic minor

C D Eb F G Ab B

Berklee PULSE gives C harmonic minor as C D Eb F G Ab B. With Sa on C, it matches Kirwani note for note.