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Awakening | Raag Bhairavi | Pt. Debasis Chakroborty | Slide Guitar Live at Hoxton | KalaSudha

KalaSudha Music 3 months ago
08:08

About This Video

Pandit Debasis Chakroborty, a Pandit of the Senia-Maihar Gharana, performed on the Indian slide guitar at Kala Festival's East meet West evening at Hoxton Hall, London, on 17 September 2025. He was joined on tabla by Ustad Akram Khan, a seventh-generation master of the Ajrara gharana.

Raag Bhairavi belongs to the Bhairavi thaat and uses all four komal swaras (komal Re, Ga, Dha, and Ni), with Madhyam as the vadi. Its sampurna scale and meend-heavy phrasing, particularly the glide between Ga and Re, give the raga a quality of open, sustained sorrow that shifts toward calm. Though assigned to the early morning hours, Bhairavi closes a concert by convention.

On the slide guitar, Chakroborty draws the characteristic Bhairavi glissandi across three octaves without the attack of a fret. Each phrase from the komal Ga bends down to Re and holds, the string's sustain extending the phrase beyond what a vocalist would hold. Akram Khan's tabla keeps a spare rhythmic frame beneath, giving the melody space to resolve at its own pace. The 4K recording at Hoxton Hall captures the acoustic of the room and the interplay between the two musicians across an eight-minute arc.

Credits

Indian Slide Guitar Debasis Chakroborty
Cinematography Sri Chowdary & Ibrahim Salah
Film Editing Mukul Kumar

Ragas

Bhairavi

भैरवी

Early morning

There’s something special about Raga Bhairavi. Often called the Queen of Ragas, it holds a place in Hindustani Classical Music that feels timeless and unique. What’s appealing about this raga is how it weaves together all four Komal Swaras, Rishabh, Gandhar, Dhaivat, and Nishad, creating a sound of melancholic and peacefulness. Although it is technically a morning raga, Bhairavi is traditionally played at the end of any concert, irrespective of the hour, as a gentle, graceful way to say goodbye.What fascinates someone about Bhairavi is how it uses all seven notes, ascending and descending, with Madhyam and Shadaj at its heart. It’s a raga that can move you in many ways, sometimes bringing peace, sometimes devotion, and sometimes a touch of romance. Each time we listen, we can find a new emotion ensconced within its notes.These days, you’ll often hear Mishra Bhairavi, where a few Shuddha notes are woven in to add more colour. Its influence is everywhere, in soulful Thumris, heartfelt Bhajans, or unforgettable Bollywood melodies we grew up with. It’s no wonder Bhairavi is one of the most loved and instantly recognisable ragas across the Indian subcontinent.

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Duration
08:08
Published
Category
Quality
4K
Resolution
3840x2160