Raag Madhuvanti Jhala | Flute | Tabla | Pakhawaj | Music of India | Purvi Festival 2023
About This Video
Shanish Kumar Gyawali closes his Raag Madhuvanti performance at the Purvi Festival 2023, Motihari with this Jhala, the rhythmically driven finale that follows the opening alap and the gat section. Aditya Dip accompanies on pakhawaj and Pankaj Rai on tabla.
Jhala brings a bansuri performance to its close through rapid, repetitive strokes on the lower drone string, layered over escalating rhythmic cycles from the tabla and pakhawaj. In Madhuvanti, the Jhala concentrates the raga's dominant Pancham into short, insistent patterns, compressing the phrases that the alap and gat sections drew out at length. The pakhawaj and tabla push against each other as the tempo climbs, and Gyawali's bansuri holds the raga's melodic thread through the acceleration, bringing the full arc of the performance to its end.
Credits
Ragas
Madhuvanti
मधुवंती
As the intensity of the midday sun begins to soften into a warm, golden hue, Raag Madhuvanti takes flight. A relatively modern addition to the classical pantheon, Madhuvanti is often described as a "sweet" (Madhu) version of the Todi family. It is a raga of the late afternoon, capturing the transition from the labour of the day to the anticipation of the evening. Structurally, Madhuvanti is an emotional powerhouse. By utilising the Teevra Madhyama (M#) and the Komal Gandhar (g), it creates a unique harmonic tension that feels both sophisticated and deeply romantic. At KalaSudha, we view Madhuvanti as the bridge between intellectual complexity and pure, melodic beauty. It is a raga that demands precision in its glides (Meends) and a soulful approach to its dominant Pancham (P).
View Details