Shakir Khan

Eighth-generation Etawah Gharana Sitarist

Location

New Delhi, India

Specialization

Sitar • Etawah Gharana
Son of Padma Shri Ustad Shahid Parvez Khan, Shakir Khan is the eighth generation of the Etawah Gharana, performing at India's premier festivals and internationally.
30+
Awards
5000+
Performances
3000+
Students
26+
Years Active

"The sitar must sing. Every note, every meend, every gamak should carry the breath of a vocalist. That is what the Etawah Gharana demands, and what riyaaz builds, one day at a time."

— Shakir Khan

Upcoming Events

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Workshop-Shakir-Khan-Sitar

Sitar Workshop in London with Maestro Shakir Khan

18-19 July 2026
10:00 AM
Oasis Academy Silvertown, London

Two-day in-person sitar workshop with maestro Shakir Khan in London, open to all levels and instruments, with flexible session options.

Shakir-Khan-Shahbaz-Hussain

London Ragas: Shakir Khan & Shahbaz Hussain

Jul 19, 2026
5:00 PM
Royal Wharf Community Dock, London

Shakir Khan, the most talented young Sitar player, along with Tabla virtuoso Shahbaz Hussain, from Manchester, at the London Ragas Darbar.

About Shakir Khan

Shakir Khan plays sitar the way this music was meant to be heard: with the melodic depth of a vocalist and the rhythmic precision of a percussionist, delivered through an instrument his family has shaped, refined, and devoted itself to for eight generations. He is the latest inheritor of the Etawah Gharana, one of the most storied lineages in Hindustani classical music, and the son and disciple of Padma Shri Ustad Shahid Parvez Khan, widely regarded as one of the greatest sitar masters alive.

That lineage is not incidental to understanding Shakir Khan. It is the whole context.

The Etawah Gharana was founded in the 19th century by Ustad Sahabdad Khan, who had come up through the Gwalior vocal tradition before taking up the sitar. His son, Ustad Imdad Khan, did something that changed Indian instrumental music permanently: he brought the expressive vocabulary of khayal gayaki, the ornamental language of Hindustani vocal music, into sitar playing for the first time. Khayal taans, rhythmic subdivisions, the interplay of swara and laya: Imdad Khan worked all of it into an instrumental framework that the Senia tradition had never attempted. The resulting style, known as the Imdadkhani or Gayaki Ang style, became the defining characteristic of the gharana and one of the most influential approaches to the sitar in the 20th century.

Imdad Khan's son Ustad Enayet Khan refined this further, redesigning the physical structure of the sitar in ways still standard on the instrument today. His son Ustad Wahid Khan gave his life to spreading the gharana's music, performing across India with what contemporaries described as unwavering devotion, appearing in Satyajit Ray's film Jalsaghar (1958), and becoming the first musician to receive the Sangeet Natak Akademi Award, India's highest national recognition in the performing arts. Ustad Vilayat Khan, Shakir's grand uncle known as Aftab-e-Sitar (Sun of Sitar), stands as one of the most celebrated figures the instrument has ever produced.

Wahid Khan's son Ustad Aziz Khan channelled everything he had received into one mission: training his own son Shahid Parvez. By accounts from within the family, those lessons were relentless. Aziz Khan would teach until the food went cold, demanding of his son the same total commitment to music that every generation before him had demanded. The result was Padma Shri Ustad Shahid Parvez Khan, who has spent decades performing at the highest level in India and internationally, receiving the Sangeet Natak Akademi Award in 2006, and earning recognition as a musician who pushed the boundaries of the tradition rather than merely preserving them. Shahid Parvez trained his son Shakir the same way.

Shakir gave his first public performance at eleven years old. He grew up inside the riyaaz, the daily practice that is not optional in this tradition but foundational, and under his father's instruction developed the same attributes the gharana is known for: an acute sense of sur (melodic accuracy) and laya (rhythmic command), and the ability to improvise within a raga with the expressive range of a vocalist. The gayaki ang requires a sitarist to produce from strings the same kinds of ornaments, curves, and sustain that a singer produces with breath. Shakir did not simply learn a style. He absorbed a philosophy of music that reaches back six generations before him.

That preparation shaped a career across India's most demanding stages. He has performed at the Dover Lane Music Conference in Kolkata, Sawai Gandharva in Pune, Saptak in Ahmedabad, the Tansen Music Festival in Gwalior, the Shankarlal Festival in Delhi, and the Bombay Festival in Mumbai. Internationally, he has performed across the US, Canada, and Europe, appearing at the Woodstock Festival in Poland in 2008. In 2023 he performed at Darbar's Music of India concert series in Leicester, playing Raag Yaman alongside tabla player Surdarshan Singh in a concert Darbar described as an immersive experience showcasing the profound artistry of the tradition. He has also performed at the Aga Khan Museum in Toronto.

Audiences and critics have consistently remarked on two things: his technical command and his stage presence. He draws listeners in without pressing for their attention. His father-son duets with Shahid Parvez have their own reputation; those who attend them describe concerts that generate a particular electricity, two players from the same bloodline and the same musical mind finding each other across a raga. Shakir has also worked with the European jazz ensemble Taalism in Germany and with Human Evolution in Spain. The gayaki ang, with its insistence on melodic expression over mechanical display, translates well across idioms. He has never needed to dilute the tradition to make it land.

In 2023, the Sangeet Natak Akademi of India awarded Shakir the Ustad Bismillah Khan Yuva Puraskar for excellence in music. The Sangeet Natak Akademi is India's national academy of the performing arts, and this award is among the most significant recognitions a younger classical musician can receive. His other awards include a Government of India merit scholarship, first prize at the All India Radio Music Competition, the Padmanabha Charities Vidyasagar Award (2008), the Violin Academy's Guruvarya B.S. Upadhyay Memorial Award (2013), and the Shri Ram Murti Pratibha Alankaran (2021).

Shakir founded SwarSetu in memory of his grandfather Ustad Aziz Khan. The name means bridge of notes. Through it he guides students worldwide in their musical development, teaching both the technical fundamentals and the deeper grammar of raga that takes years to fully inhabit. He offers online lessons via Skype, Zoom, and Google Meet to students wherever they are. Shakir holds what many gharana musicians have spent lifetimes building, and he believes it belongs in more hands.

KalaSudha is proud to work with Shakir Khan and to bring his music and teaching to audiences worldwide. Through our platform, he performs in intimate Baithak settings that put listeners close to the music, and leads workshops that open the Etawah tradition to students and musicians of every level. Whether you come to listen or to learn, time with Shakir Khan is a direct encounter with one of the world's great living classical traditions.

Shakir Khan's workshops and courses are available to book through KalaSudha, giving students at every level direct access to the Etawah tradition. Upcoming performances and Baithak concerts are listed on the KalaSudha platform. Whether you come to listen or to study, this is a direct line to one of the great living traditions of Indian classical music.

Past Performances

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