Chordophones Veena/Lute Family Concert Grade Traditional Craftsmanship

Sitar

सितार

Hand-crafted from seasoned tonewoods and gourds, the Sitar features 18-21 strings and movable frets, engineered to produce a world-renowned, microtonal harmonic richness.
Price Range

£250 - £3,000

Student instruments start at £$250. Professional concert-grade models by master makers often cost £3,000+ or more.

Sitar

Construction & Craftsmanship

Materials Used

Miraj Tumba Seasoned Toon Polished Jawari Spring Brass French Polish

The construction of a professional Sitar is a slow, artisanal process that requires the perfect marriage of organic materials and mechanical accuracy. It commences with the selection of the Tumba (resonating chamber), made from a large, dried calabash gourd (Lagenaria siceraria). These gourds are grown in areas such as Miraj, Maharashtra, where the climate allows for the thickness and uniformity required for deep resonance. 

The neck (Dandi) and the faceplate (Tabli) are hand-carved out of seasoned tonewoods, most commonly Toon (Indian Mahogany) or, in rarer vintage models, Teak. The wood must be seasoned for years to ensure it does not warp under the high tension of the 20+ metal strings. The joint connecting the neck to the resonator, known as the Gulu, is a critical point of structural strength; it is commonly reinforced and finely carved to serve as the aesthetic centrepiece of the instrument. 

A hallmark of high-end craftsmanship is the Jawari, the shaping of the main bridge. This is not a simple cut but a microscopic "slope" carved into a piece of camel bone or deer antler. A master luthier must spend hours listening to the string's vibration as they sand the bridge to achieve the perfect open sound that gives the Sitar its heavenly harmonic profile. Finally, the instrument is finished with French Polish or shellac, which protects the wood while remaining flexible enough to allow the instrument to breathe and resonate freely.

Maintenance & Care

As an instrument made primarily of gourd and thin tonewood, the Sitar is highly sensitive to changes in the environment. Proper humidity control is the most vital aspect of its care. We recommend maintaining a Relative Humidity (RH) of 45-55%. In dry climates, the gourd can become brittle and crack, while too much humidity in monsoon regions can cause the wood to swell, leading to a choked sound or bridge warping. 

Cleaning is essential for the longevity of the frets and strings. After every session, players should wipe the strings with a soft, dry cloth to remove oils and perspiration that lead to corrosion. The Pardas (frets) are tied with thread that can loosen over time; checking these ties and occasionally applying a drop of mineral oil to the friction pegs (Kuntis) ensures the instrument stays in tune during performances. Finally, the Jawari bridge will eventually develop grooves from string friction, which can ruin the sound. An annual "setup" by a professional luthier is recommended to re-polish the bridge surface and ensure the sound stays immaculate for a lifetime of play.

Playing Techniques

Mizrab Bol (Plectrum Strokes)

Meend (Lateral Pulling)

Mastering the art of the continuous slide between notes to achieve vocal-like continuity and microtonal precision.

Krintan (Hammer-on/Pull-off)

Gamaka (Oscillation)

Executing traditional microtonal oscillations and ornaments essential to the authentic character of a Raga.

Jhala (Rhythmic Climax)

Zamzama (Grace Notes)

Executing rapid, sharp clusters of notes in quick succession to add intricate texture and "sparkle" to a phrase.

Technical Specifications

Detailed specifications and measurements

Overall Length 1220mm – 1270mm (Approx. 48 – 50 inches)
Tabli (Soundboard) Width 330mm – 360mm
Tumba (Resonator) Diameter 300mm – 350mm
Neck (Dandi) Width 85mm – 95mm
Total Weight 3.5kg – 5kg (Depending on wood density and second resonator)
Main Resonator (Tumba) Dried Miraj Calabash Gourd (Lagenaria siceraria)
Neck and Tabli Seasoned Toon Wood (Indian Mahogany, aged 15+ years)
Bridge Material Hand-polished Camel Bone or Deer Antler
Tuning Pegs (Kuntis) Hand-turned Rosewood or Ebony
Frets (Pardas) High-tensile Spring Brass or Stainless Steel
Inlays Celluloid or ethically sourced Bone
Adhesive Traditional Hot Hide Glue or natural resin-based binders
Surface Finish Natural French Polish (Shellac-based)
Main Bridge (Bada Ghora) Flat "Jawari" slope for harmonic resonance
Sympathetic Bridge (Chota Ghora) Secondary bone bridge for Taraf resonance
Jawari Profile Open (Deep/Buzzing) or Closed (Clear/Bell-like) based on Gharana
Action Height 10mm – 12mm at the 12th fret (To allow for lateral pulling/Meend)
Fret Type Curved, movable pardas hand-tied with silk or nylon thread
Total String Count 18 – 21 (Depending on model)
Main Playing Strings 6 – 7 (Steel, Brass, and Bronze)
Sympathetic Strings (Taraf) 11 – 13 (High-tensile Steel)
Main Tuning (Kharaj-Pancham) Ma-Sa-Pa-Sa-Pa-Sa-Sa
String Gauges Main Steel (0.012"), Kharaj (0.028" – 0.032" Bronze)
Primary Timbre Complex harmonic richness with a characteristic "buzz"
Sustain Duration 8 – 12 seconds on the main playing string
Microtonal Capability Up to 5 semitones of lateral pull (Meend) on a single fret
Sympathetic Feedback High (Self-resonating harmonics from Taraf strings)

Your Journey to Mastery

Follow this structured path to master this instrument

1

Foundation & Posture

Establish the physical groundwork and fundamental stability required for Hindustani performance.
20%
2

Scale Practice (Sargam)

Develop accuracy in note production and finger positioning on the frets.
40%
3

Meend & Raga Fundamentals

Study the art of lateral string pulling and the foundational structures of Ragas.
60%
4

Gat & Compositions

Apply technical skills to fixed melodic forms within rhythmic cycles (Taal).
80%
5

Advanced Techniques & Jhala

Transition into professional-level improvisation and high-speed rhythmic climaxes.
100%
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