Sitar
सितार
£250 - £3,000
Student instruments start at £$250. Professional concert-grade models by master makers often cost £3,000+ or more.
Construction & Craftsmanship
Materials Used
The construction of a professional Sitar is a slow, artisanal process that requires the perfect marriage of organic materials and mechanical accuracy. It commences with the selection of the Tumba (resonating chamber), made from a large, dried calabash gourd (Lagenaria siceraria). These gourds are grown in areas such as Miraj, Maharashtra, where the climate allows for the thickness and uniformity required for deep resonance.
The neck (Dandi) and the faceplate (Tabli) are hand-carved out of seasoned tonewoods, most commonly Toon (Indian Mahogany) or, in rarer vintage models, Teak. The wood must be seasoned for years to ensure it does not warp under the high tension of the 20+ metal strings. The joint connecting the neck to the resonator, known as the Gulu, is a critical point of structural strength; it is commonly reinforced and finely carved to serve as the aesthetic centrepiece of the instrument.
A hallmark of high-end craftsmanship is the Jawari, the shaping of the main bridge. This is not a simple cut but a microscopic "slope" carved into a piece of camel bone or deer antler. A master luthier must spend hours listening to the string's vibration as they sand the bridge to achieve the perfect open sound that gives the Sitar its heavenly harmonic profile. Finally, the instrument is finished with French Polish or shellac, which protects the wood while remaining flexible enough to allow the instrument to breathe and resonate freely.
Maintenance & Care
As an instrument made primarily of gourd and thin tonewood, the Sitar is highly sensitive to changes in the environment. Proper humidity control is the most vital aspect of its care. We recommend maintaining a Relative Humidity (RH) of 45-55%. In dry climates, the gourd can become brittle and crack, while too much humidity in monsoon regions can cause the wood to swell, leading to a choked sound or bridge warping.
Cleaning is essential for the longevity of the frets and strings. After every session, players should wipe the strings with a soft, dry cloth to remove oils and perspiration that lead to corrosion. The Pardas (frets) are tied with thread that can loosen over time; checking these ties and occasionally applying a drop of mineral oil to the friction pegs (Kuntis) ensures the instrument stays in tune during performances. Finally, the Jawari bridge will eventually develop grooves from string friction, which can ruin the sound. An annual "setup" by a professional luthier is recommended to re-polish the bridge surface and ensure the sound stays immaculate for a lifetime of play.
Playing Techniques
Mizrab Bol (Plectrum Strokes)
Meend (Lateral Pulling)
Mastering the art of the continuous slide between notes to achieve vocal-like continuity and microtonal precision.
Krintan (Hammer-on/Pull-off)
Gamaka (Oscillation)
Executing traditional microtonal oscillations and ornaments essential to the authentic character of a Raga.
Jhala (Rhythmic Climax)
Zamzama (Grace Notes)
Executing rapid, sharp clusters of notes in quick succession to add intricate texture and "sparkle" to a phrase.
Technical Specifications
Detailed specifications and measurements
| Overall Length | 1220mm – 1270mm (Approx. 48 – 50 inches) |
| Tabli (Soundboard) Width | 330mm – 360mm |
| Tumba (Resonator) Diameter | 300mm – 350mm |
| Neck (Dandi) Width | 85mm – 95mm |
| Total Weight | 3.5kg – 5kg (Depending on wood density and second resonator) |
| Main Resonator (Tumba) | Dried Miraj Calabash Gourd (Lagenaria siceraria) |
| Neck and Tabli | Seasoned Toon Wood (Indian Mahogany, aged 15+ years) |
| Bridge Material | Hand-polished Camel Bone or Deer Antler |
| Tuning Pegs (Kuntis) | Hand-turned Rosewood or Ebony |
| Frets (Pardas) | High-tensile Spring Brass or Stainless Steel |
| Inlays | Celluloid or ethically sourced Bone |
| Adhesive | Traditional Hot Hide Glue or natural resin-based binders |
| Surface Finish | Natural French Polish (Shellac-based) |
| Main Bridge (Bada Ghora) | Flat "Jawari" slope for harmonic resonance |
| Sympathetic Bridge (Chota Ghora) | Secondary bone bridge for Taraf resonance |
| Jawari Profile | Open (Deep/Buzzing) or Closed (Clear/Bell-like) based on Gharana |
| Action Height | 10mm – 12mm at the 12th fret (To allow for lateral pulling/Meend) |
| Fret Type | Curved, movable pardas hand-tied with silk or nylon thread |
| Total String Count | 18 – 21 (Depending on model) |
| Main Playing Strings | 6 – 7 (Steel, Brass, and Bronze) |
| Sympathetic Strings (Taraf) | 11 – 13 (High-tensile Steel) |
| Main Tuning (Kharaj-Pancham) | Ma-Sa-Pa-Sa-Pa-Sa-Sa |
| String Gauges | Main Steel (0.012"), Kharaj (0.028" – 0.032" Bronze) |
| Primary Timbre | Complex harmonic richness with a characteristic "buzz" |
| Sustain Duration | 8 – 12 seconds on the main playing string |
| Microtonal Capability | Up to 5 semitones of lateral pull (Meend) on a single fret |
| Sympathetic Feedback | High (Self-resonating harmonics from Taraf strings) |
Your Journey to Mastery
Follow this structured path to master this instrument
Foundation & Posture
Scale Practice (Sargam)
Meend & Raga Fundamentals
Gat & Compositions
Advanced Techniques & Jhala
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