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Raag Desh | Music for Harmony & Peace | Kala Festival 2023 | KalaSudha | The Bhavan London

KalaSudha Music 11 months ago
10:02

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Pandit Debasis Chakroborty (Indian slide guitar), Lovely Sharma (sitar), Deepak Shah (piano), and Durjay Bhaumik (tabla) performed on 23 August 2023 at The Bhavan, London, closing the Kala Festival's "Music for Harmony & Peace" concert with Raag Desh. The raga carries particular resonance in a concert framed around peace and shared heritage.

Raag Desh belongs to the Khamaj thaat and suits the late evening hours. Its jati is audava-sampurna: five notes in ascent, seven in descent. The raga's defining feature is its dual use of Nishad, with Shuddha Ni in the rising phrase (SRmPNS') and Komal Ni in the descending one (S'nDP mGR), shifting the mood from open aspiration to a quieter, rain-soaked reflection. The vadi is Rishabh and the samvadi is Pancham, giving the raga a wide harmonic arc. Its emotional register spans patriotic fervour and the tender longing of a monsoon evening.

Across the four instruments, the performance draws on contrasting timbres: the glide and sustain of the Indian slide guitar, the plucked articulation of the sitar, the harmonic weight of the piano, and the rhythmic foundation of the tabla. The characteristic resolution G.NS gives each instrument space to voice the raga's signature phrase. The tabla holds the pulse while the melodic instruments trace the Desh descent, converging on that resolution as the set closes.

Credits

Indian Slide Guitar Debasis Chakroborty
Piano Deepak Shah
Sitar Dr Lovely Sharma
Tabla Durjay Bhaumik

Ragas

Desh

देश

Late evening

Raag Desh is a cultural icon of the Indian sub-continent. Belonging to the Khamaj Thaat, it is a "Chanchal" (playful) and "Abhisarika" raga that captures the essence of the Indian landscape. Its structure is simple, but its emotional resonance is vast, ranging from the heroic fervour of patriotism to the tender yearning of a rainy evening. Usually performed in the second prahar of the night, Desh is often categorised as a "Megh-Pradhan" raga, sung during the monsoon season. Its defining characteristic is the dual use of Nishad: Shuddha Ni (N) in the ascent, which provides a sense of rising hope, and Komal Ni (n) in the descent, which evokes gentle, rain-like melancholy. Desh vs. Khamaj vs. Sorat Within the Khamaj Thaat family, Desh holds a unique middle ground: Desh and Khamaj: Both use the dual-Nishad. Khamaj is a Shadava-Sampurna raga that leans on Shuddha Ga (G). Desh often skips G in the ascent or gives it less weight, giving it a more open, soaring quality.Desh and Sorat are often confused. The key difference is the Gandhar (G). In Sorat, G is strictly avoided or used minimally as a grace note. In Desh, G is essential in the descent (PDmGRS) to provide its characteristic warmth and romantic flavour. vs. Tilak Kamod: Both share a similar note set, but the Chalan (movement) is reversed. Tilak Kamod is "Vakra" (crooked), while Desh is more linear and "Sanchari" (flowing).

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10:02
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